I've really enjoyed all the mecha stuff I've read/watched before and typically really love these kinds of speculative/dystopian books. This one disappointed me on some fronts though. 

The worldbuilding just didn't click/didn't make sense? It hints at the past but doesn't explain it enough for it to stand on its own two feet. Some things just don't really make sense, at least not the way they're presented. The Godolia empire is killing its citizens because...evil? I wish there was more development for this world. Or maybe I missed something? 

One thing I'm sure of is that I think there are too many characters. We didn't need this big of a "crew". It just meant that a few didn't get developed enough to matter. They are not memorable and it just led to confusion later on. I don't think I could even name them all, let alone what their specialty in gearbreaking is. It's not so much about the number of characters (there are books with more that are done well), but this was too many, too flat, too shallow, too similar. 

Sona and Eris start out really different and interesting. I like the premise and think those first few chapters are really strong. The author has a great concept on their hands. As their experiences become more similar, their POVs became harder to distinguish (they are both concerned with Gearbreaking activities, hating Godolia, their plans for revenge etc). 

The book is either too long or not enough happens in the middle. The middle third feels like the plot is just "rebel against the overlords" with no real strong plotline to follow. Just random skirmishes and the crew arguing with each other. I was rereading chapters to try and figure out what was important in there and eventually started skim reading. So in terms of my thoughts on worldbuilding above, I may have missed important stuff because of this dull chunk in the middle. 

I like the concepts, the writing was good, liked the two povs (although the worldbuilding definitely makes each one's backstory suffer). The author is clearly a creative, imaginative, ambitious talent. I wouldn't swear off their work in their future based on this since it does have good moments. But something about <i>Gearbreakers</i> just never came together for me, I was left waiting for this book to take off and it left me waiting past the first page. But not in a way that makes me want to read the sequel. I had a stressful January so perhaps this has something to do with my lack of interest in this novel, but not entirely. There are some definite parts of this that would never have worked for me.

I just wasn‘t that into it. I don’t know where it went wrong, because it definitely isn’t a bad book. Somehow it just didn’t work for me. 

Love love love love gay gay gay gay

I really enjoyed this one!

Rep: Asian bisexual female MC, Asian lesbian female MC with an eye implant, Asian genius female side character, queer normative world.

CWs: Blood, body horror, child death, death, fire/fire injury, gore, grief, gun violence, injury/injury detail, kidnapping, medical content and unconsented medical experimentation, murder, torture, violence, war. Moderate: Car accident, colonisation, confinement, cursing, death of parent, emotional abuse, genocide, medical trauma, mental illness (anxiety and PTSD), police brutality, physical abuse, self-harm, toxic relationship, xenophobia. Minor: Panic attacks, vomit. 

*cries in the comfort that is the found family trope*
big robots! amazing fight scenes! cool as heck concepts! maybe the background idea had some holes but the execution was so perfect that i didn't even care. every character was unique, the descriptions were so good, the dialogue so endearing and heart-wrenching, and the plot amazing. it's a lot of what i've wished i could write so i'm so happy the author made it :)

Great book. But it doesn't actually have an ending. It just stops in a cliffhanger to force you to buy the second book. Which feels like such a scarcity mentality that the author won't have new good ideas for the next book. Or not trusting the readers to care enough about the characters and world to read a sequel. The time and heart that does into reading a novel should be honored with an ending. This kind of marketing ploy feels like a breaking of the fundamental agreement about how novels work. And now I don't trust the storyteller (really, the publisher, I assume) to take me safely to the end of the journey, and so I don't want to read any more of their stuff.