The Night Circus is my favorite book, so sight unseen this was already an easy sell. I love Morgenstern’s writing style and the way she describes such vivid settings and crafts her world are things that really appeal to me.

That said, this book took a little longer to convince me than The Night Circus. I wasn’t absorbed quite as quickly and I’m still not entirely certain I loved Zachary as the main character. Maybe because the characters were a bit less central than the ones in The Night Circus. I went in expecting something more tied to characters but, understandably, this isn’t tied to the characters as much as the story and setting itself.

In the end, I still came away breathless and smiling. I was thoroughly absorbed once I came around to the halfway point and I definitely got properly emotional in multiple places. It was thrilling and wonderful to read. The world building was really gorgeous, and I think anywhere where I felt there might’ve been holes or incomplete thoughts, I was satisfied knowing that maybe there didn’t need to be answers to everything. The mystery of everything that was happing was really fun, too. I liked not even knowing if I was supposed to be searching for answers or clues and it certainly kept me turning the pages.

This was definitely more narrative-driven than The Night Circus (though I hesitate to call it plot-driven just because there’s not really an obvious plot to point to in the strictest of terms) and for me it really, really worked. I would’ve liked more depth in the characters, but I understand where it maybe isn’t entirely necessary since the point of the characters was only to play a role in the story if not have a story unto themselves.

I really loved the folding and combining of the different stories, how Morgenstern wove all the narratives together and broken them apart. I like how it was all entwined and linked, but also separate. I loved being able to discover who was who in the stories and put names to characters and characters to times and places. It was very satisfying to be able to link things myself and still have surprises along the way. And even still, I feel like I have to reread this a few more times to actually pick up on everything!

Understandably, not for everyone, but it hit all my buttons and I was utterly enamored by it.

Also it was trippy as fuck to see my name as one of these characters lmao.

Love the vibes! Very meta though. I want to be Zachary Ezra Rawlins. I may be him already (same age, last semester of grad school, January…)

The Starless Sea is an ode to stories; it is about why stories and storytelling are important, as much as it is about those who love stories and why they do. And while it points out the whys and wherefores of storytelling, it also shows you the how of storytelling; this book is quite meta. You, dear reader, are reading a book, about a character who is also reading a book, in which there is a story about himself. As you continue reading, you also get to read all the stories in the book that he is reading, while reading about him reading them, and while he is trying to solve the mystery that connects all these stories to the larger mystery surrounding his current predicament, you are too. Morgenstern isn’t afraid to show her authorial fingerprints upon the story— and that’s part of the point here: a book is someone telling you a story—there is a storyteller always present that is not just the protagonist. 

As far as plot goes, it certainly doesn’t unfold in a linear fashion—I would probably describe it as almost labyrinthine, or maybe not unlike nesting dolls; stories within stories. I could even call it kaleidoscopic—fragments of seemingly disparate stories that come together at the end to form a pattern that we can behold for a beautiful moment, before it all changes. And change it does, as we are reminded throughout the book, what is a story, if not change?


This book also shows off Morgenstern’s greatest strengths: her world-building and her prose. Morgenstern can write; her prose is simply gorgeous. It is in turns whimsical, magical, dreamlike and playful. The images she conjures on these pages are nothing short of being frankly, almost tangible—sort of like waking up with your last dream still dancing around in your head before it softly fades with the intrusion of the morning light. There’s a definite fairy-tale vibe to the entire book, that again, goes along with the greater themes about storytelling. I think anyone who is a lover of books has dreamed, at least once, of stumbling across a doorway that leads to a magical library, and reading this book certainly makes me daydream about that scenario all the more. 


If I had a quibble with anything, I would say the character work in this book isn’t the strongest, but I do think it’s still purposeful. The characters aren’t super fleshed out, instead, they have the same quality that characters in a fairy-tale do—they are there to serve the story, to supply metaphor and archetypes and literal anthropomorphic personifications of concepts, more than give us in-depth character studies, or feel like real people. This is okay to a certain extent, but it does mean that if your entry point into a story is through character, this might not be the book for you. There were moments towards the end of the story that didn’t hit quite as hard as I wished they would have, had the characters and their relationships to each other had a chance to be more drawn out. 



It took me the better part of a week to read through it, but this book is a book that rewards you with slowing down and taking your time to read it, to really savour the stories within, and soak in all of its beautiful magic. It’s also, as I have now discovered, very wonderfully re-readable, where you can pick up on threads and clues you missed the first time around. 



On the whole, my re-read of this book has cemented it as a forever favourite of mine. In fact, I have a quote from the book I would love to have a tattoo of one day, and there are ungodly things I would do for a ttrpg of The Starless Sea; there’s so much you could do with the Harbour alone—book themed dungeon crawls for daaaaaaays.

no idea what was supposed to be going on but in a very cool fun way. v much no plot just vibes 

GOD. god i loved this. i think i found my new favourite book.

I'm never going to be able to put all my feelings about this incredible story down, at least not in any meaningful way, all I can do is encourage you to read it.

The prose was breathtaking. I don't think I've ever written down that many quotes (yes I take notes when I'm reading! It's fun) The world that Morgenstern so artfully constructed was beautiful and it hurts my soul that I can't live in it. I have very, very few complaints about this book. As in two. And one of those complaints is just that I think some bits could have used a comma or two to make things clearer, but I;m very overzealous with commas in my own writing so that might just be me. And the other one is that the middle is endless but frankly I don't really care because I loved every minute of it.

Man, I'm always going on to my friends about how much I hate feedback thats just "I loved it" but. Oh my god. I truly cannot think of anything else to say. I've seen this book described as a love letter to stories and the art of storytelling and I wholeheartedly agree. On that note, I do feel I have to say that this is not a casual read. I don't mean that in a derisive way! If you would identify yourself as a casual reader, that is completely fine. All I mean is that this book, in addition to being a love letter to the art of storytelling, is a nonlinear narrative with a lot of moving parts. A lot of different stories are told at once, and not all of them seem especially related to one another until the end. You have to be patient. If nonlinear narratives are a no-go for you, or if you prefer to shut your brain off a little and read to relax, this might not be your cup of tea. Personally, if I was making a list of books you should at least try to read before you die, this would be number one. That's very specific. Anyway, what I'm saying is that while I do suggest giving this a shot, know that it's not a casual fantasy romp. Not that casual fantasy romps are bad, I love them, just that this isn't that. I saw some people saying that they were confused or thrown off by the nature of the narrative, which I found odd at first. I suspect that the people who were confused were unaware of the nonlinear narrative/overlapping stories and so got confused when the story jumped around so much in time, location, and character, which is understandable! Just a heads-up there: 'tis complicated.

I have no idea if any of that made any sense. I feel a little high right now.

rep; main character of colour (presumably afro-latino, as his mother is described as Haitan), gay main character, various other characters of colour ranging in narrative importance from "very" to "not at all", fairly important character who "hates labels" and is attracted (at least) to men and women, mlm major character

I am in awe of this book. The way Morgenstern wove layer upon layer of story and world building was truly impressive. I felt fully immersed in the world she created. And I loved how everything came together in the end yet still left an air of mystery / open endedness. 

I can't wait to reread this book in a few years. It is certainly a story I will return to over and over again.