10/10!!! NO NOTES!!!💖🐰🏴‍☠️⭐️🌊🍯🐝🗝️🗡️ Pass go 5x, build a hotel on Park Place, and collect 1 million dollars!!

This book was fantastic! I purposefully took so long to finish it because I just did not want it to end. I literally cried when I finished it, not only because it was beautiful, but also because it’s over now and I’ll never be able to experience it for the first time again 🥹, and now I have absolutely no idea what to do with myself 😭. Reading The Starless Sea is like reading a jigsaw puzzle. There are all of these stories that you know connect in someway, but you’re unsure how until the very end when you finally see the whole picture. And it’s absolutely stunning🥹.

I will say though if you are a plot girly and like stories with a very forward narrative then this book is NOT for you. However, if you love magic, whimsy, fairytales, myths, stories within stories, a little bit of romance, endings that aren’t really endings, and non-traditional forms of storytelling THIS is the book you’ve waiting for! 🩵🐝🗝️🗡️

Pro tip: I read this book while listening to the “Ambient Dreamscapes” playlist on Spotify and it was the PERFECT ambience for the story. That playlist matches the vibe and tone of this book to a T. In fact, if you told me Ms. Erin Morgenstern herself created that playlist specifically for The Starless Sea I would believe you.👌🏽😊

So convoluted and dense, and yet I cannot tell you a single concrete meaningful thing about the world, story, or characters. A perfect example of style over substance -- and not even a great style at that, because a million run-ons without a comma in sight (except in splices, i.e. where they're not supposed to be, and god forbid any semicolons or em-dashes) and shallow imagery repeated ad nauseam do not constitute strong, profound writing. Especially when they're surrounded by weak verbs and dry statements; a lot of descriptions start with the classic grammatical expletive "there is/are." If these quirks were only in one section, it might have been fine, but all of the narrators sound virtually identical. Rather than consciously breaking grammatical customs to create some obvious effect or unique voice, then, it reads like unnecessary padding or honest errors.

I can't even comment in depth on the other elements, I feel like, because what little is there gets completely overpowered by the writing. I don't mind purple prose or stylistic experiments, but they need to be supplementing an actually compelling narrative and/or about 70% shorter. Here, though, if you take away the technical frills, you're left with 500 pages' worth of a bunch of scattered concepts that could have been interesting but don't amount to much in execution.

I wasn't super impressed by The Night Circus when I read it either, but I don't remember it being quite this insufferable, so maybe there's some sophomore slump effect going on. Either way, a pretty big disappointment, and irritated me so much at times I would have definitely thrown a physical copy. Honestly, I blame the editor -- if anyone did indeed edit this -- more than Morgenstern, because a good editor might have at least said, "Hey, so if you aren't going to follow a coherent plot or fully flesh out any of your characters, maybe you could at least punctuate your writing so it's readable?" Alas, clearly nothing of the sort happened, and the certain kind of reader I am suffers for it.

Argh, this book was so close to almost-perfect but just missed the mark for me with its ending. Worth reading for its beautiful descriptive writing and quip-laden prose - yet this comes at the expense of slightly underdeveloped characters, motivations and plot. A wonderful showcase of aesthetic with a frustrating lack of resolution. 

This is definitely a modern epic! It is slow to start and picks up at the middle of the book…it took me three weeks to read 50% and then three days to finish it. It is a winding adventure that centers around the concepts of storytelling, reality, destiny, and companionship. Now that I’m done I find myself wanting to go back to read parts again. A sign of a compelling and well written novel! 

The overall plot had some interesting story lines and was descriptive, but there wasn't much emotional depth and the characters really didn't seem to grow or develop at all. The main character really didn't progress on his own things just seemed to happen to him after the first few chapters. 

Writing a story about the power of stories is a brave thing for an author to take on, and Erin Morgenstern shows she’s a master storyteller in The Starless Sea. 

I should have been prepared by reading The Night Circus, but I forgot how the author creates a world for the reader to fall in love with before breaking it apart… and resolving the story in the most beautiful and satisfying way. I enjoyed spending so much time at the beginning of the book getting to know the main character and the beginnings of the many threads that later weave into the narrative. Then the second half became an un-put-down-able roller-coater ride! 

Morgenstern’s talent for world-building I think comes from the sensory descriptions - the texture of a jumper, the taste of a drink, the richness of a voice, the sense of a space and the smell of a perfume are all given importance. But things are rarely over-described, making it feel like the storytelling is working with the reader’s own imagination. 

Overall I think the diversity of the cast of characters was well done, bar a few missed opportunities for trans/nonbinary and better disability representation. Something I particularly noticed was that the main character’s mother is given a significant voice in the narrative, which is unusual in stories like this, and I appreciated it. 

I’m really glad I listened to the audiobook; the cast is brilliant, and having different voices read different sections helps follow the flicks between times, people, places and books within books.