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readingoverbreathing's review against another edition
adventurous
dark
mysterious
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
Dipping into a little bit of le Carré every so often has been a fun venture in my reading life over the past year or so. His books differ slightly from my usual tastes in terms of subject matter and, well, heavy male focus, but the three books I've so far read of the Smiley series have all been solidly enjoyable reads for me.
This installment, however, fell a bit flat.
The setup in the beginning really intrigued me — austere Scandanavian airport in the middle of nowhere, a spy who's not the brightest, a mysterious Citeron, a roll of film, a snowbank. When we return to London and the picture bigger is slowly revealed, that was all intriguing, too. But after about the halfway point, everything interesting to me just dissipated almost entirely.
The rest was a lot of men hanging around, complaining about women, 'preparing' for a mission that only came at the very end. It was clear throughout this that there was something larger than the Department going on, but I never felt like this was satisfactorily explained, at least enough to justify all of the build-up that, to me, never seemed to really go anywhere. The ending was a bit boring and rather confusing, and, again, no true motive was ever really revealed — it was more left to the reader to see how the characters had been played.
However, I am hopeful that this was just a brief dip in terms of my overall enjoyment of the Smiley books. Thankfully, this book closes a chapter in the series that opens on to Tinker, Tailor, Soldier, Spy which I am very excited to get to soon.
This installment, however, fell a bit flat.
The setup in the beginning really intrigued me — austere Scandanavian airport in the middle of nowhere, a spy who's not the brightest, a mysterious Citeron, a roll of film, a snowbank. When we return to London and the picture bigger is slowly revealed, that was all intriguing, too. But after about the halfway point, everything interesting to me just dissipated almost entirely.
The rest was a lot of men hanging around, complaining about women, 'preparing' for a mission that only came at the very end. It was clear throughout this that there was something larger than the Department going on, but I never felt like this was satisfactorily explained, at least enough to justify all of the build-up that, to me, never seemed to really go anywhere. The ending was a bit boring and rather confusing, and, again, no true motive was ever really revealed — it was more left to the reader to see how the characters had been played.
However, I am hopeful that this was just a brief dip in terms of my overall enjoyment of the Smiley books. Thankfully, this book closes a chapter in the series that opens on to Tinker, Tailor, Soldier, Spy which I am very excited to get to soon.
clittle11's review against another edition
adventurous
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
seatonob's review against another edition
dark
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
thisisstephenbetts's review against another edition
4.0
If anything this is grimier than The Spy Who Came In From The Cold (it's immediate predecessor, I believe). On top of the dirty business of espionage, the main characters are quite clearly incompetent, yet proud with it (it's somewhat reminiscent of the old Fry and Laurie sketches about a cosy spy ring, but with a think layer of hubris spread over). That may sounds like it should be amusing, but it's anything but - it's sad and a bit frightening (I must say, if I'd been reading these books during the Cold War, I'm sure my enjoyment would have been tempered by a paranoid chill of assumed recognition).
Again, fascinating to read for the descriptions of the UK in the early 60s, this book also introduces a whole spectrum of snobbery. Everyone has someone else to look down upon; sometimes this hierarchy is somewhat understandable, other times it is opaque, but it is absorbing. While the UK is still class-ridden in some ways, this book - better than any Evelyn Waugh or writer of his ilk - demonstrates quite clearly, throughout society what class meant, when it still did really mean something.
The plot has some similarities to The Spy Who Came In From The Cold - an initiating incident, then long build-up to something resembling action. The characters are beautifully depicted, and the politics of the plot are played out very subtly. Occasionally, the dialogue seemed a little florid, but that's a minor quibble. In fact, the more I think about this book, the more I like it. It doesn't quite have the 'perfectly-formed' quality of its predecessor, but it has a subtle complexity and rich context which makes it very rewarding.
Again, fascinating to read for the descriptions of the UK in the early 60s, this book also introduces a whole spectrum of snobbery. Everyone has someone else to look down upon; sometimes this hierarchy is somewhat understandable, other times it is opaque, but it is absorbing. While the UK is still class-ridden in some ways, this book - better than any Evelyn Waugh or writer of his ilk - demonstrates quite clearly, throughout society what class meant, when it still did really mean something.
The plot has some similarities to The Spy Who Came In From The Cold - an initiating incident, then long build-up to something resembling action. The characters are beautifully depicted, and the politics of the plot are played out very subtly. Occasionally, the dialogue seemed a little florid, but that's a minor quibble. In fact, the more I think about this book, the more I like it. It doesn't quite have the 'perfectly-formed' quality of its predecessor, but it has a subtle complexity and rich context which makes it very rewarding.
joshtenet's review against another edition
challenging
dark
funny
mysterious
sad
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
stevenyenzer's review against another edition
3.0
A slow burn. First decent, then boring, with a great ending.
zare_i's review against another edition
5.0
I enjoy le Carre's novels for a single thing - his portrayal of intelligence agencies and spies is rather unique (or maybe was, I do not know if there are other authors writing spy novels in similar way). They are all shown as civil servants, part of the mighty bureaucratic machine who risk their lives (at least some of them) but in general live rather dull or maybe better said every-day lives with a little rush of adrenaline when action kicks in. They are all expendable (operations more than others) and their puppet masters are more than willing to sacrifice them just to see what will happen next.
While I understand that not every spy is James Bond (and, yes I am aware of le Carre's view of James Bond, although his own "scalp-hunters" are no better) it is very interesting to imagine every civil servant or minor official you meet in the street as a secret agent working for a boss unlike your own - one who wants results no matter the situation.
And what happens when that overachieving boss decides that his department needs revitalization and takes upon himself to organize a grand operation that will bring back the glory days? What if in the background another boss, of more successful department, decides to swallow up this small unit of men and in order to do that orchestrates things so that operational element gets terminated in process? What if in general you cannot trust anyone and maybe those closest to you are the same people that want you put down?
Le Carre's novel reads like a shadowy conflict between two sections in the same department store. They are all well and polite but very much ready to back-stab each other on the first opportunity. And when operations guys end up captured or worse what happens to their respective directors? Well they advance, because it was war rules you know and poor chaps did not get the break .... but hey life goes on right? No need to dwell on negative thoughts.
Interesting novel, recommended to all fans of spy literature.
While I understand that not every spy is James Bond (and, yes I am aware of le Carre's view of James Bond, although his own "scalp-hunters" are no better) it is very interesting to imagine every civil servant or minor official you meet in the street as a secret agent working for a boss unlike your own - one who wants results no matter the situation.
And what happens when that overachieving boss decides that his department needs revitalization and takes upon himself to organize a grand operation that will bring back the glory days? What if in the background another boss, of more successful department, decides to swallow up this small unit of men and in order to do that orchestrates things so that operational element gets terminated in process? What if in general you cannot trust anyone and maybe those closest to you are the same people that want you put down?
Le Carre's novel reads like a shadowy conflict between two sections in the same department store. They are all well and polite but very much ready to back-stab each other on the first opportunity. And when operations guys end up captured or worse what happens to their respective directors? Well they advance, because it was war rules you know and poor chaps did not get the break .... but hey life goes on right? No need to dwell on negative thoughts.
Interesting novel, recommended to all fans of spy literature.
webjoram's review against another edition
3.0
Normalmente cuando leo una novela de John Le Carré ya sé que no me voy a encontrar la típica novela de espías, de alguna manera, ese es el sello de este autor. Sin embargo en esta ocasión hasta yo me he visto sorprendido porque realmente esta novela, más allá de algunos toques, no es realmente una novela de espías. Yo creo que en cierto modo es una novela de frustraciones, todos los personajes que aparecen por ella se encuentran desencantados con su situación y pretenden hacer lo que haga falta para conseguirlo, hasta engañarse a ellos mismos. Creo que para entender completamente esta novela habría que haber vivido en los años en los que esta ambientada, con una Europa en plena reconstrucción, con unas naciones en plena lucha de poder por establecer sus "zonas de influencia" y con la gente totalmente desengañada.
Es una novela que desborda pesimismo por los cuatro costados y desde el primer capítulo te esta diciendo que esta historia no va a terminar bien, algo por otro lado bastante común en las novelas de John Le Carré que suele huir de los finales felices.
En lineas generales me ha gustado mucho esta novela aunque reconozco que en ciertos momentos le falta algo más de ritmo y quizás me hubiera gustado que profundizará más en las motivaciones que tiene Leiser para volver "a la acción".
Es una novela que desborda pesimismo por los cuatro costados y desde el primer capítulo te esta diciendo que esta historia no va a terminar bien, algo por otro lado bastante común en las novelas de John Le Carré que suele huir de los finales felices.
En lineas generales me ha gustado mucho esta novela aunque reconozco que en ciertos momentos le falta algo más de ritmo y quizás me hubiera gustado que profundizará más en las motivaciones que tiene Leiser para volver "a la acción".
urzajr's review against another edition
5.0
Far better than I expected. The novel is bleakly comic, perceptive, cynical, and full of rounded characters. In other words, typical Le Carre.