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raven88's review
5.0
An exceptionally good crime read from a new-to-me Danish author appearing for the first time in English, When The Dead Awaken is a thriller not to be missed. Drawing on the influence of Roberto Saviano’s Gomorrah, Jacobsen has fashioned an enthralling thriller set in Naples and focusing primarily on the criminal activities of this feared criminal organisation, but also the frustrations of and danger to those that seek to bring them to justice…
The first thing that strikes me about When The Dead Awaken, is Jacobsen’s fluid and totally engaging writing style. His prose just pulls you in, not only in the sense of location and atmosphere, but also by the little vignettes of the socio-political complexity of Italy that he melds into the central narrative. He makes it abundantly clear that the forces of justice in Italy work so at odds with each other, that the growth of organised crime over many years still remains largely unchecked due to the lack of communication and cooperation between the various factions. This is reflected strongly in his central protagonist, Sabrina D’Avalo, a public prosecutor whose father was murdered by the Mafia, working for the public prosecutor Frederico Renda (himself a victim of the Camorra’s wrath), being set on the trail of the Camorra after the discovery of two bodies identified as having been in a witness protection programme. Sabrina not only has to elude the grasp of the criminals who pursue her, but also navigate her own relationship with the mysterious Nestore Raspallo who has been commissioned by Renda to watch her back. Where this book come into it’s own is not only in the tension we experience through Sabrina’s dangerous investigation, but how Jacobsen also incorporates a view of her investigation through the eyes of the head of this branch of the Camorra, Don Francesco and his right hand man- Urs Savelli- a fixer with a dark past and one of the most compelling characters in the book. Add into the mix the story of Giulio Forlani currently residing under the radar in the rural tranquillity of Castellarano, but with his own reasons for avoiding the attentions of the Camorra, and these different storylines solidify how Jacobsen manipulates and weaves the individual strands into one contiguous whole in such a readable style. Likewise, the characters mentioned are extremely well-drawn, and Sabrina D’Avalo centres the whole book, being clever, intuitive and driven by her own demons. She assumes the same aura of feminine strength as Steig Larsson’s Lisbeth or Pierre Lemaitre’s Alex, holding the reader in her thrall throughout and stoutly supported by an equally strong cast of male characters, be they on the side of justice or crime. Not only is the plot extremely pacey and tense, but there are also rare little injections of humour, and some of Jacobsen’s physical descriptions of characters are a delight. I loved this one of a hotel receptionist, “She smiled. Or her upper lip curled, at any rate. Sabrina was mesmerised by tiny clumps of lipstick stuck to the black strands of hair on her upper lip. Like tiny unripe cherries, they swayed in the stream of air to and from the nostrils.” Marvellous.
This is an easy book to recommend, harnessing as it does the very factors that make both Italian and Scandinavian crime so popular. Sublime plotting, superb characterisation, a nod to the socio-political climate and a real sense of location all knitted together in a truly gripping thriller. Highly recommend this one.
The first thing that strikes me about When The Dead Awaken, is Jacobsen’s fluid and totally engaging writing style. His prose just pulls you in, not only in the sense of location and atmosphere, but also by the little vignettes of the socio-political complexity of Italy that he melds into the central narrative. He makes it abundantly clear that the forces of justice in Italy work so at odds with each other, that the growth of organised crime over many years still remains largely unchecked due to the lack of communication and cooperation between the various factions. This is reflected strongly in his central protagonist, Sabrina D’Avalo, a public prosecutor whose father was murdered by the Mafia, working for the public prosecutor Frederico Renda (himself a victim of the Camorra’s wrath), being set on the trail of the Camorra after the discovery of two bodies identified as having been in a witness protection programme. Sabrina not only has to elude the grasp of the criminals who pursue her, but also navigate her own relationship with the mysterious Nestore Raspallo who has been commissioned by Renda to watch her back. Where this book come into it’s own is not only in the tension we experience through Sabrina’s dangerous investigation, but how Jacobsen also incorporates a view of her investigation through the eyes of the head of this branch of the Camorra, Don Francesco and his right hand man- Urs Savelli- a fixer with a dark past and one of the most compelling characters in the book. Add into the mix the story of Giulio Forlani currently residing under the radar in the rural tranquillity of Castellarano, but with his own reasons for avoiding the attentions of the Camorra, and these different storylines solidify how Jacobsen manipulates and weaves the individual strands into one contiguous whole in such a readable style. Likewise, the characters mentioned are extremely well-drawn, and Sabrina D’Avalo centres the whole book, being clever, intuitive and driven by her own demons. She assumes the same aura of feminine strength as Steig Larsson’s Lisbeth or Pierre Lemaitre’s Alex, holding the reader in her thrall throughout and stoutly supported by an equally strong cast of male characters, be they on the side of justice or crime. Not only is the plot extremely pacey and tense, but there are also rare little injections of humour, and some of Jacobsen’s physical descriptions of characters are a delight. I loved this one of a hotel receptionist, “She smiled. Or her upper lip curled, at any rate. Sabrina was mesmerised by tiny clumps of lipstick stuck to the black strands of hair on her upper lip. Like tiny unripe cherries, they swayed in the stream of air to and from the nostrils.” Marvellous.
This is an easy book to recommend, harnessing as it does the very factors that make both Italian and Scandinavian crime so popular. Sublime plotting, superb characterisation, a nod to the socio-political climate and a real sense of location all knitted together in a truly gripping thriller. Highly recommend this one.