Ending is kind of abrupt here. Wish that there was more tension and suspense that leads up to it. I can definitely see why this inspired other vampire novels because it does set up some very interesting lore that can be played around with. I can also see why there are many adaptations of it—there’s so much more you can do with the base story.

Also. For a book that is “steeped in sexual tension and gothic romance” there could’ve been a lot more of both. They just held hands and kissed a bit?? Where’s the DRAMA?? (I know this was published in the 1870s but c’mon man!!)

solid, short book. good story, read it all in a day. literally my only complaint is it shouldve been longer because its so good

there wasn't any portion of this book that disliked reading, though i have mild hang up about the ending. the pacing of this book is consistent, though depending on the angle you view it from, could be seen as slow, medium, or fast, depending on what you count as plot progression. The language is very accessible considering it's a classic, but not simplistic or dull. i think the dialogue, especially between carmilla and laura, is the standout. 

the plot began to trail off upon the introduction of the general, though the answers to the mysteries throughout the book were fully delivered (a bit too fully, you could say) in a very sussinct manner that, once finished, quickly pushed you towards the climax.

the ending was, in my opinion somewhat anti-climatic, but i understand that was the style of the time. i do think that in making carmilla more of a vague outline of a monster, rather than something present, both added and detracted from the climax, which really need more of her actually in it. 

i really found carmen maria machado's introduction to be informative as well as her footnotes, though they often leaned towards comedy.

she's totally right on one front however. there's no way that wasn't an orgasm.

 

i had a fun time with this book though i think if it were longer, it would've made the book much better. especially the climax.

I guess I’m eating my words about not liking the writing style of classics, huh?

I loved the writing style of this book. It was atmospheric and gothic, I loved the setting of the castle and the grassy hills and the ruins of the old town. I just pictured fog over everything anytime they were outside. Now I just wanna have a picnic at old castle ruins in the fog with a pretty vampire. (Sadly that doesn’t happen in this book but it could’ve). This might be my favorite classic I’ve read so far… it’s at least tied with Dracula, but I think it tops it. It actually got pretty creepy at times.

Was also a little surprised how explicitly sapphic it was, given when it was written. I was expecting it to just be homoerotic in the way that classics sometimes are, or overtly homophobic. I think it’s safe to assume that the combination of sapphic elements and vampirism was very intentional..  automatically villainizing lesbianism by portraying it as a ‘virus’ that you can ‘catch’, something that’s evil and scary… But reading it it isn’t actually explicitly homophobic. It’s all subtext. It could easily be read through a more modern lens, removing that subtext.

My only complaints:

•The racism. It’s only in one or two scenes, but it’s pretty bad in one scene especially.

•How naive Laura was, especially at the very end. She was supposed to be 19, right? How did she not connect the dots after the general’s story??? 😆

•It ended a bit abruptly, I felt.

•And lastly, I just wish we got more pretty atmospheric descriptions of the ruins. I was waiting the whole book for them to go there and when they did we didn’t get much :/ I would’ve liked more atmospheric descriptions in general, but at least we got some.

Overall, I’m really happy I liked this! I was starting to worry that classics just weren’t for me. Hopefully there are still more out there that I’ll love.