I haven’t read the original text(s) here, so I can’t comment on the accuracy or skilfulness of the book as a retelling. 

As a story however, this was fun. I would possibly lean more towards 3.5 stars in terms of skill, but it was exactly what I was in the mood for and the vibes were just great, so an extra 0.25 for enjoyment.

This book is fluidly written. Morgan is relatable and vividly described, I especially loved her as a healer. I‘ll be interested to see how her journey towards darkness is pulled off. I was also very lucky to read this by the sea, and that was perfect - stormborn Morgan and Tintagel brought to life even better. 

Overall a solid debut and I‘m looking forward to the next one. 

Morgan’s character drew me in really quickly, and kept me hooked for the entire book. The book itself does a lot of world building and contextualising, as it’s the first of a trilogy (I think).

I don't know what I expected, but it wasn't necessarily this. The author refers to it as a "feminist retelling" and I don't know if I necessarily see it that way? If it is it is very much not intersectional feminism and lives more in a women's lib type vain of feminism. I also see the author tweeted this is a planned trilogy, which I didn't know going in, but makes sense with the pacing. This is very slow and it isn't until near the end that Morgan actually takes some action and things in the plot stop happening to her and her making things happen. 

The synopsis is basically noble born girl who loves her quiet secure life and her father has her whole life turned upside down. Her father dies and she ends up with a cruel stepfather who just wants her gone. Unfortunately, he's king and she's just a woman in medieval times, so she has no say in anything. She rebels under the threat of death and gets sent to a nunnery where she makes her first true friend. She is called back to be wed and shit starts getting even worse from there. 

Basically, cruel man after cruel man is presented to her. Perhaps that is the feminist angle? I did like that Morgan is a healer and has a very strong ability in it which is consistently shunned, first as being of the devil and second as being unbecoming. Her best friend though is very much supportive of it and helps her out quite a bit. However, for the fact that she is her best friend there isn't a whole lot of them actually being friends. This is kind of an artifact of the narrative style and first person, but Alice still feels kind of empty. I felt that we know more about Arthur's nature once he is revealed than we do about Alice or Tressa (I am hoping that is the spelling because I just had the audiobook). For a feminist retelling the men are described in detail while the women are not so much? Save for the woman we see with Merlin the first time he is introduced. Most of the women in the story are cruel to each other, cold and callus. It was kind of exhausting. 

Near the end when Morgan finally starts taking charge, which I kind of hate the inciting event for this, it started to pick up a bit. The pacing increased, the detail in which things were described changed and Morgan started using her abilities and her rank to her favor. I will probably pick up the rest when they come out but I am disappointed to have this as my first Arthurian tale. Especially with how much I loved the BBC Merlin show. I think I may have to go back to the OG feminist Arthurian retelling: The Mists of Avalon and give that one a go. 

Thanks to NetGalley, Penguin Random House Canada, and Sophie Keetch for providing me with an advanced electronic reader copy in exchange for an honest review.

I enjoyed this feminist retelling of Arthurian legend. I've always been fascinated with Morgan le Fay and the many contradictory narratives surrounding her character. Although, I am going to admit that my knowledge of Arthurian legend is heavily influenced by the BBC Merlin adaptation (I know it is woefully inaccurate). That being said, I was expecting to see some sort of villain origin story. It is clear that the author is knowledgeable about Arthurian legend and is genuinely passionate about telling Morgan's story.

Keetch's writing was compelling and elegant, her characters rich and complex. I fell in love with the setting of Tintagel and St. Brigid's Abbey (and even the hint of Camelot). Keetch breathes life into these settings and transports the reader there, immersing them within the story. Morgan made an amazing anti-heroine and I found myself rooting for her throughout the story. I would have loved to see more of her familial relationships since the female friendships seemed to make up the emotional core of the story for me.

My biggest issue with the novel was the pacing. I know we don't need to see every minute of Morgan's life, especially because we're following her from birth to her mid-twenties, but at certain points, it felt that we were skipping through crucial moments of her life. When these time skips occurred within chapters, rather than between them, I couldn't help but feel that some elements of the story were lost. Additionally, I went into this novel thinking it was a standalone, so I was a little disappointed when Arthur only came into play in the last 25% of the book. However, after looking at other reviews, I see that it is the beginning of a series. With this new perspective in mind, I believe this is a solid start to a duology or trilogy, but at the same time, I am left wondering if a series was necessary in the first place. 

A fiery retelling of the legend of Morgan le Fay, which follows her childhood, adolescence, education, tumultuous marriage, and her role in the establishment in Arthur's court. 

In one word, it is a book about suffering. Keetch draws from familiar ground to create a healer type figure who struggles to find peace and purpose in a world where she is treated as property. Keetch's Morgan is courageous, brash, angry, and the story telling pulls readers into these headspaces with her. 

When she is harmed, you feel the snap of rage. When her expertise is stifled and dismissed, then forbidden, you experience the suffocation, the frustration of knowing what it is to be able yet forbidden from helping others. When she takes up defiance in her honesty and courage, you soar, and when trouble knocks on her door, you flinch. It is evocative.

Well-paced, movingly crafted--up to the very end, which felt sudden. There were a few plot threads that I had expected to be addressed and were not. Morgan's internality is teetering on a precipice of dark and light, and this feels more like the first entry in a duology or trilogy than a standalone.

Women's healthcare and agency is a thematic heartbeat underneath the story, and many readers might relate to Morgan's frustration that female bodies are so unstudied and unsupported by the medical field in comparison to male ones.