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lnatal's review against another edition
4.0
Free download available at Project Gutenberg.
Opening lines:
ONE day—it was neither in war time nor during manoeuvres—on a July morning, with the sun shining radiantly, a squadron of cuirassiers passed at full gallop across a magnificent field of ripening grain, in the neighbourhood of Poissy, although on every side there were wide reaches of fallow land and pasture.
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PLATE IV.—1814
(Chauchard Bequest, Musée du Louvre)
This picture, so masterly and so dramatic in composition, is assuredly one of the most widely known in existence. The sombre visage of the Emperor, the severity of the landscape, the prevailing tone of sadness, admirably rendered, explain the wide favour enjoyed by this celebrated work, further popularized in engravings.
Opening lines:
ONE day—it was neither in war time nor during manoeuvres—on a July morning, with the sun shining radiantly, a squadron of cuirassiers passed at full gallop across a magnificent field of ripening grain, in the neighbourhood of Poissy, although on every side there were wide reaches of fallow land and pasture.

PLATE IV.—1814
(Chauchard Bequest, Musée du Louvre)
This picture, so masterly and so dramatic in composition, is assuredly one of the most widely known in existence. The sombre visage of the Emperor, the severity of the landscape, the prevailing tone of sadness, admirably rendered, explain the wide favour enjoyed by this celebrated work, further popularized in engravings.