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bookedandbusy's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Racial slurs, Blood, War, and Injury/Injury detail
gandalfsmom's review against another edition
4.5
Graphic: Child death, Death, Genocide, Violence, Blood, Murder, War, and Injury/Injury detail
tinybluepixel's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Body horror, Death, Genocide, Gore, Slavery, Torture, Violence, Blood, Medical content, Grief, Medical trauma, Murder, War, and Injury/Injury detail
Moderate: Addiction, Alcoholism, Body horror, Child abuse, Child death, Slavery, Religious bigotry, Death of parent, Fire/Fire injury, Alcohol, and Classism
Minor: Emotional abuse, Rape, Terminal illness, and Gaslighting
dealingwithdragons's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal death, Body horror, Confinement, Death, Gun violence, Hate crime, Infidelity, Slavery, Violence, Xenophobia, Blood, Medical content, Fire/Fire injury, War, and Injury/Injury detail
Moderate: Alcoholism, Death of parent, and Alcohol
While Chakraborty's characters are djinn from fantasy tribes, the tribes they are from correspond to real world ethnic groups. The narrative is clearly against racism and xenophobia, but the depictions could potentially be triggering.lais's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Death, Genocide, Hate crime, Torture, Blood, Grief, Murder, Gaslighting, War, and Injury/Injury detail
mjwhitlock18's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
4.5
Graphic: Death, Violence, Death of parent, and War
Minor: Homophobia and Rape
pvbobrien's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Body horror, Death, Blood, Police brutality, and Death of parent
Moderate: Chronic illness, Genocide, Gore, Slavery, Torture, Violence, Fire/Fire injury, and Alcohol
exorbts's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
it took me two months to finish this book and no need to say it was tremendously disappointing.
too many conveniences esp. the last sixth of the book.
I just wanna fathom why do authors give their main characters centuries to die and don't even kill them (ahm Muntadhir) I hate this soo much.
And even though I love him in TCOB, I loved to hate Montadhir in this book.
The author did a good job showing how being a spoiled brat who's indulgent in extravagance, sins, and sumptuous luxuries make his heart rot in Dissatisfaction، and start desiring harams/ wrongdoings ( his whole relationship with Jamshid)
قال تعالى:(إِنَّكُمۡ لَتَأۡتُونَ ٱلرِّجَالَ شَهۡوَةٗ مِّن دُونِ ٱلنِّسَآءِۚ بَلۡ أَنتُمۡ قَوۡمٞ مُّسۡرِفُونَ) (81)
Also, his greed over the throne even though his brother didn't show any interest.
and this man (Muntadhir) btw reminds me of an Abbasi Poet named "Dik al-Jinn", he resembles him so much in his unfaithfulness and desires except Muntadhir is no poet.
![](https://homsstory.com/wp-content/uploads/2015/09/%D8%AF%D9%8A%D9%83-%D8%A7%D9%84%D8%AC%D9%86.jpeg)
also, there were some expressions the characters did that made me roll my eyes -yeah like this one-
, because the Arabic culture is different from the English so why use English expressions!!?
I guess with all this research that the authors did I'm still being greedy?!
I still didn't like that the author made Muntadihr and Jamshid qu**r!
bad.. since they were actually my favorite characters and I loved their friendship in TCOB, but alas!
but the good part here is I started loving Ali more than in the first book. also an unpopular opinion but I still adore Dara and I really wished he would end up with Nahri.
guess I'm continuing since I have the last book.
Graphic: Alcoholism, Death, Genocide, Violence, Blood, Islamophobia, Fire/Fire injury, Alcohol, War, and Classism
abigails_books's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Summary: With its vibrant prose, political intricacies, and slow-growing, tender love, The Kingdom of Copper by S.A. Chakraborty went above and beyond my expectations for the follow-up to The Daevabad Trilogy’s first novel, The City of Brass.
The novel picks up the story five years after the events of the City of Brass took place. We meet up with Nahri, Muntadhir, and Jamshid, stuck—especially in Nahri’s case I’d say imprisoned—in Daevabad; while we find Ali in Bir Nabat, a quiet community where he’s grown from a privileged prince into a fierce yet kind man, and Dara, brought back to ‘life,’ as the first Daeva or Djinn to be freed from Suleiman’s curse, meaning he now takes a new form that is less conducive to the human world.
Chakraborty navigates the thin line of disappointment, betrayal, and loss of love and life between Nahri and her respective, yet completely different, relationships with Ali and Dara.
What begins as an angered encounter after seeing Ali again after five years, the two slowly return to friendly graces and discover they are working for the same goals—a world where all the designations that separate their people no longer matter. But they are alone in a crowd of many who will do anything but let that happen.
The ties that bind Ali and Nahri together are strengthened as a deep connection between the two begins to solidify into something very tangibly sweet, tender, funny, and even heartbreaking. Meanwhile, Nahri’s connection to her first love, Dara, dwindles away as he seeks to start another war that will tear the progress Nahri and Ali have made, apart.
"To believe that the boy who'd taught her to conjure a flame was real, and that the man he'd become was not manipulating her yet again, to believe that not everyone and everything in this miserable city had to be second guessed."
Thoughts: To me some of the most powerful themes weaved into this story are the ways fragility between the separate groups—and two people who are especially drawn to each other but were born to be enemies—and the yearn to return to a society that values personhood over tribe, humanity (for lack of a better word) over violence. And all the while, Chakraborty ties in an incredibly slow-burn romance that allows all the complex feelings of hatred and admiration and the desire to avenge generations of loss.
"Who's died in your arms? Who have you begged to come back, to look at one last time?"
I absolutely adored the way Nahri goes from angry, yet worried for, Ali to seeing his gentle heart, and wanting to help him get out—to live a happy life, even if it means she realizes she doesn’t want him to leave. The slow tenderness is extremely touching and felt almost viscerally real to me.
"He does care...recklessly so. Passionately so...He cares so much he's willing to risk himself and everyone around him, unwilling to accept a shade of gray or a lesser evil in service to the greater good."
This is not a love that is born out of ease, it’s a love born out of true understanding, complex desire, and simple adoration of another’s pure soul, somehow not marred despite the violence that seems to envelop their world.
"She cupped his cheek, her thumb brushing his beard. She didn't miss the sudden racing of his heart.
Nor the sadness rising in her own...
'Go steal some happiness for yourself, my friend,' she said softly. 'Trust me when I say the chance doesn't always come back.'"
"Nahri did not think she had it in her to watch the kind man who'd built her this office—this quiet homage to the home she still loved—the man who'd taught her to read and helped her summon flames for the first time—to be executed in the arena."
I could say a lot of things about Ali and his growth, but all I’ll say is in the first book he begrudgingly taught her how to read, and in this book he said this to his brother:
"She is worth ten of you."
And finally, the slowly woven story of Dara
"You will make us monsters...'
'Then we will be monsters.'"
Violence comes, as to be expected with any takeover of a city, and Nahri finds herself on opposite sides of someone she’s always dreamt of, and someone she once loved.
I honestly do not have any negatives about this book. It was excellent and much faster-paced than the first novel due to world-building and Nahri’s journey to get to Daevabad. From the first two chapters of Kingdom of Copper, I was fully invested in the direction the story was taking and felt completely swept away by the new developments.
The mysteries of the series are slowly woven through this novel, but still leave more to be discovered in the finale, The Empire of Gold, which I appreciated. It’s answering some things, so not leaving us totally in the dark, but also enticing the reader to keep reading for full enlightenment.
This is one of the first sequels I’ve read where I felt the content and plot completely surpassed the beauty and perfection of the first. If I could give more than 5 stars, I would.
Moderate: Death, Sexual content, Violence, and Death of parent
Minor: Rape
claudiamacpherson's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Moderate: Alcoholism, Body horror, Child death, Cursing, Death, Genocide, Gore, Hate crime, Infidelity, Toxic relationship, Violence, Xenophobia, Blood, Medical content, Trafficking, Grief, Religious bigotry, Medical trauma, Death of parent, Murder, Fire/Fire injury, Gaslighting, Alcohol, Colonisation, War, Injury/Injury detail, and Classism
Minor: Gun violence, Self harm, Sexism, Suicidal thoughts, Torture, and Police brutality