Style/writing: 4.5 stars
Themes: 4 stars
Characters: 4.5 stars
Plot: 4.5 stars
Worldbuilding: 4.5 stars

THE KINGDOM OF COPPER cashes in on the tension heralded by every political machination and twisted promise in THE CITY OF BRASS. Nahri, Ali, and Dara are at cross-purposes with each other and almost everyone else as Daevabad's brutality towards the Shafit begets more violence.

THE CITY OF BRASS set up a complicated system of alliances, slights, centuries-old grievances, and current injustices. In THE KINGDOM OF COPPER, the web gets a few more strands like slave auctions and mass murder of the oppressed, then pulls the strands tight to slaughter whoever gets in the way. It’s intricate, filled with conflicting allegiances, friendships, and hidden family. There’s some political theater, but almost every gesture carries behind it the threat of real violence against a plethora of minor and secondary characters, stacking death and misery higher and higher until the main characters can take it no more and the bloody showdown commences. There’s always another way that someone was terrible a long time ago and now a new person is ready to kill in the name of the long-dead. Three protagonists, all utterly convinced that their way of doing things is the one that will work, and a bevy of secondary characters all with their own deadly plans that cross and combine in unexpected ways to drench the city in blood.

I love the world building. A lot of the backstory was set up by the first book, but they live long lives and the pace at which new revelations occur is just right. In a world where there’s someone who knows what happened and might even have been there, it’s a matter of having the right protagonist ask the right question of the right person at the proper time… usually after a different protagonist tried to learn the same thing and was rebuffed. It’s a layered style that keeps any one character from knowing everything while making sure that by the time the reader gets the answer there’s been enough of a build up that it feels like a revelation. It even works when one character keeps trying to figure out something one of the other two already knows. Ali is my favorite, but together he, Nahri, and Dara combine to cover enough of the story’s angles to leave me very happy as a detail-hungry reader.

The pacing is excellent, the conclusion is stunning. I loved every minute and I’m ready to read the final book.

 I seriously adored reading The City of Brass, so I obviously knew I had to get my hands on this book as soon as possible. However, once I did, I sat with this book on my shelf until I couldn’t renew it any more times through my library for some reason. Does anyone else do this, or is it just me? I think part of the reason was because I wanted to prolong my enjoyment of the series, and another part was because I was a little worried that it wouldn’t live up to the incredible memories I had of the first book. However, I had absolutely nothing to worry about. 

 

Within the first few pages of the book, I felt like I had stepped right into a doorway that transported me back to this magical world of flying carpets and djinn, complete with political intrigue and characters that I couldn’t help but love. The descriptive writing made me feel as though I was also in Daevabad, rather than just reading about it. 

 

 

The story is told from the POV of the three main characters, Nahri, Ali, and Dara, and after the prologue, it picks up 5 years after the events in book 1. For the majority of the book, the characters aren’t engaged with each other, and deal with their own struggles, but the entire book was building up to a major climax. And when it happened, I still wasn’t prepared. 

 

Each of the characters have their own flaws, and they’re so morally gray (although Ali isn’t morally gray so much as rigidly upstanding), but also so endearing that I wanted to see them each wind up happy, even though each of them is trapped in circumstances beyond their control. I honestly didn’t see a way for any of them to get out of their individual situations, but I still hoped. 

 

Nahri’s still a character that is amazing. She’s smart, strong, and tough, even in a place that doesn’t feel like home, isn’t safe, and where she is surrounded by people she can’t trust. And being alone for so long is causing her to question herself, even as she’s forced to become a pawn in the political maneuverings in the royal family of Daevabad. Her character arc is definitely one of the most striking in this series. 

 

 

Ali changes a little less throughout the series, but he grew a lot in this book. His whole life changed as a result of the events in the first book, and there’s something about him that just drew me in. He’s a major player in the book, and I respect his courage to stand up for his values, no matter how difficult that is. 

 

Dara is the other piece of the puzzle. I truly empathized with his struggle. All he wants is peace and to be free, but he’s forced into a life of service. He wanted to do something different, but wasn’t able to. It made it even more clear that rather than being seen as a person, he’s viewed as a weapon instead, and he’s really starting to resent that role. Hopefully, he’s realizing that only Nahri ever saw him differently. 

 

The story weaves a variety of plot threads together to create a stunning tapestry, combining character arcs, politics, romance, emotions, intrigue, surprising plot twists, and elements drawn from a range of cultures. I was hooked immediately and couldn’t stop reading. I’m planning to get my hands on the next book soon, and I have already promised myself that I won’t wait long before starting it. 

 Spectacular. Show stopping. Amazing. I throw all the praise at this book, because it's so beautifully written and it builds so well on the previous book. It dives deeper into the meaninglessness of vengeance vs. the true healing power of justice. Because the shafit aren't wrong and the Daevas aren't wrong and those clamoring for a better life aren't wrong, but since no one can address the pains of the past without murder, no one can devise a way to move forward. Well, Nahri and Ali could, but no one ever listens to the best characters.

This book also skyrocketed Ali to the top of my list of favorite characters. The previous book of "the oppressed can have some rights" is burned away as he gains more confidence in his own moral clarity and is able to see a life outside of the palace (also, Aqisa and Lubayd are the best additions the vast cast of characters). Muntadhir plummeted pretty far down the list with the petty jealousy and the fear his father beat into him taking over his love for his siblings, Jamshid and what he knows is right. Like, the whole

lie to embarrass Ali and then causing a massacre and like only realizing after the fact that all this death was his fault? Fuck him. Though the ending reconciliation was pretty damn satisfying. But also, fuck him.

 

 I empathize with him, but it's also part of the cycle of revenge and status quo and trying to please their abusive father to become an abuser himself. I also liked the expanded role for Zaynab and Hastet, and it was nice seeing Nahri finding female allies. Additionally, Dara (a character I like in spite of my morals) slowly figuring out Just Following Orders is a paltry excuse when he's doing atrocities. 

Overall, a stunning sequel. I cannot wait to read the final installment.