Reviews with content warning for Alcoholism - Estilhaços

Reviews tagging 'Alcoholism'

Estilhaços by Bret Easton Ellis

22 reviews

katherineflitsch_'s review against another edition

dark mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Flaws of characters a main focus? Yes

5.0

Utterly chilled. If Stephen King isn’t dark or gory enough for you, if The Secret History wasn’t twisted or dramatic enough for you, if The Talented Mr. Ripley wasn’t mysterious or suspenseful enough for you, then Bret Easton Ellis’s THE SHARDS must be.

It’s been a while since a book has shocked me as much as this one did. It’s been a long while since a book has left me feeling so unsettled. I don’t know what much to say without giving away spoilers. But in the end you feel just as Susan feels holding Bret’s hand in that room. In the end you feel scared and horrified and dizzy with realization, with denial, and nausea. In the end you nearly want to be sick.

(In, like, a totally good way!)

Bret does suspense incredibly well. And he has mastered horror here, too. He blends evil with high school in such a glorious (and glittering) way: a student masks his violent identity just as a student masks his homosexuality in 1981; a teen boy is convinced his friend’s new boyfriend is a serial killer just as as teen boy is convinced his friend’s new boyfriend isn’t good enough for her; a boy grieves heartbreak just as a boy grieves the brutal murder of his first love. These layers pass over one another as delicately and fluidly as curtains sliding over one another moved by wind. In high school, you are terrified of things that you one day grow out of fearing, but in the moment of teenage psyche, the terror and horror of these things is crippling. In THE SHARDS, those teenage terrors are indistinguishable from actual tangible death and mutilation and evil. Bret contorts teenage angst into “legitimate” horror.

I read once somewhere that the difference between fear, terror, and horror is this (and I’m paraphrasing from murky memory): fear is walking in the woods at night and knowing that a wolf is prowling; terror is walking in the woods and seeing the wolf before you; horror is walking in the woods and realizing you have stepped right into the wolf’s trap. Bret Easton Ellis’s THE SHARDS encapsulates all three.

(Warning though: it is quite graphic.)

Content Warnings

frekdal's review against another edition

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challenging mysterious slow-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.0

Content Warnings

kim_lommaert's review against another edition

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challenging dark mysterious tense slow-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.0

Content Warnings

corruptednatz's review against another edition

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dark mysterious tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.75

Throughout this book all I thought was “Stop it, get help” 😂 this book has a crazy ending but the build up to it was slow and sometimes pointless. The slow parts were the main character Bret doing drugs, falling into a drug induced sleep and fantasizing about various men he can’t have. But I do see how it plays into his mental state. The really pointless points were when the author when go into tangents about movies or music from the 80s. He would go into great detail about these things but I didn’t see the point.

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n1ghthag's review against another edition

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dark sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.5

Fucked up thriller with that’s as horny as it is revolting. I couldn’t put it down. A great exploration of the LGBT trope of do I want be you, fuck you or kill you? Also, Brett Easton Ellis hates vaginas!

Content Warnings