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![The Paris Review, Issue 242, Winter 2022 by Emily Stokes, Emily Stokes](https://558130.bdp32.group/rails/active_storage/representations/redirect/eyJfcmFpbHMiOnsibWVzc2FnZSI6IkJBaHBCSTVwRXdVPSIsImV4cCI6bnVsbCwicHVyIjoiYmxvYl9pZCJ9fQ==--185d7a2358577a46ddd099000ba786af94e3a18a/eyJfcmFpbHMiOnsibWVzc2FnZSI6IkJBaDdCem9MWm05eWJXRjBTU0lJY0c1bkJqb0dSVlE2RkhKbGMybDZaVjkwYjE5c2FXMXBkRnNIYVFJc0FXa0M5QUU9IiwiZXhwIjpudWxsLCJwdXIiOiJ2YXJpYXRpb24ifX0=--12df03affcecc6543dceea60ea959b5d6cdd6528/TPR_W22_Final_CVR1copy.png)
282 pages • first pub 2022 (editions)
ISBN/UID: None
Format: Paperback
Language: English
Publisher: Not specified
Publication date: Not specified
Description
Colm Tóibín on the Art of Fiction: “No matter what you do in a novel there’s a secret DNA of whatever it is that you’ve suffered.” N. Scott Momaday on the Art of Poetry: “I was writing lines that looked like lines of poetry, recollecting my early ...
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![The Paris Review, Issue 242, Winter 2022 by Emily Stokes, Emily Stokes](https://558130.bdp32.group/rails/active_storage/representations/redirect/eyJfcmFpbHMiOnsibWVzc2FnZSI6IkJBaHBCSTVwRXdVPSIsImV4cCI6bnVsbCwicHVyIjoiYmxvYl9pZCJ9fQ==--185d7a2358577a46ddd099000ba786af94e3a18a/eyJfcmFpbHMiOnsibWVzc2FnZSI6IkJBaDdCem9MWm05eWJXRjBTU0lJY0c1bkJqb0dSVlE2RkhKbGMybDZaVjkwYjE5c2FXMXBkRnNIYVFJc0FXa0M5QUU9IiwiZXhwIjpudWxsLCJwdXIiOiJ2YXJpYXRpb24ifX0=--12df03affcecc6543dceea60ea959b5d6cdd6528/TPR_W22_Final_CVR1copy.png)
282 pages • first pub 2022 (editions)
ISBN/UID: None
Format: Paperback
Language: English
Publisher: Not specified
Publication date: Not specified
Description
Colm Tóibín on the Art of Fiction: “No matter what you do in a novel there’s a secret DNA of whatever it is that you’ve suffered.” N. Scott Momaday on the Art of Poetry: “I was writing lines that looked like lines of poetry, recollecting my early ...