The Microeconomic Mode: Political Subjectivity in Contemporary Popular Aesthetics by Jane Elliott

The Microeconomic Mode: Political Subjectivity in Contemporary Popular Aesthetics

Jane Elliott

missing page info Add in missing page information first pub 2018 (editions)

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From The Road to Game of Thrones, across works as seemingly different as Gone Girl and Saw, literature, film, and television have become obsessed with the intersection of survival and choice. When the trapped rock-climber hero of 127 Hours is conf...

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