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A review by pussreboots
The Mark of Zorro by Johnston McCulley
5.0
Twenty years before Batman started patrolling Gotham City at night, Señor Zorro, the "Curse of Capistrano" was protecting California. He first appeared in the serial The Curse of Capistrano by John McCulley in 1919. A year later he burst onto the silver screen, brought to life by Douglas Fairbanks. If you ever have a chance to see the film with live music, do it!
After the success of the film the book was republished in 1924 with the title of the film, The Mark of Zorro. The book came "illustrated with scenes from the photoplay" in the form of three photographs of Douglas Fairbanks: one as Don Diego Vega and two as Zorro. The book has since been republished (as you can see from the cover art) but I was lucky enough to read the 1924 version.
Let's face it, I'm not going to be able to write a dispassionate review this time. I grew up passionate about three superheroes: Zorro, Batman and Superman. Nearest and dearest to my heart is Zorro because he's the only one who's looking out for my home state.
The focus of the novel (more so than the film) is on Lolita Pulido and her search for a husband. Her three options are Captain Ramón, Don Diego Vega and Señor Zorro. What she doesn't know is that Vega and Zorro are the same man. How could she? Vega acts as if "his blood runs with water" whereas Zorro is a man of action. Vega only wears a blade as part of his formal dress while Zorro is a master swordsman and a marksman with his pistol.
The one place where the story is weakest is in Diego's motivation for risking life and limb as a bandito when he is the son of the most influential nobleman in California, one that even the Spanish appointed governor has to curry favor to. Don Diego isn't tragically orphaned by mobsters like Bruce Wayne. Fortunately though the book rarely dwells on this in lieu of the romance and the derring-do. It's only in the last chapter that Don Diego explains himself and his hinting at 10 years of study starting at the age of 15 was later expanded upon by Isabel Allende in her novel aptly called Zorro. While her novel was a nobel attempt to fill in the blanks of Don Diego's life, I think she missed the mark.
After the success of the film the book was republished in 1924 with the title of the film, The Mark of Zorro. The book came "illustrated with scenes from the photoplay" in the form of three photographs of Douglas Fairbanks: one as Don Diego Vega and two as Zorro. The book has since been republished (as you can see from the cover art) but I was lucky enough to read the 1924 version.
Let's face it, I'm not going to be able to write a dispassionate review this time. I grew up passionate about three superheroes: Zorro, Batman and Superman. Nearest and dearest to my heart is Zorro because he's the only one who's looking out for my home state.
The focus of the novel (more so than the film) is on Lolita Pulido and her search for a husband. Her three options are Captain Ramón, Don Diego Vega and Señor Zorro. What she doesn't know is that Vega and Zorro are the same man. How could she? Vega acts as if "his blood runs with water" whereas Zorro is a man of action. Vega only wears a blade as part of his formal dress while Zorro is a master swordsman and a marksman with his pistol.
The one place where the story is weakest is in Diego's motivation for risking life and limb as a bandito when he is the son of the most influential nobleman in California, one that even the Spanish appointed governor has to curry favor to. Don Diego isn't tragically orphaned by mobsters like Bruce Wayne. Fortunately though the book rarely dwells on this in lieu of the romance and the derring-do. It's only in the last chapter that Don Diego explains himself and his hinting at 10 years of study starting at the age of 15 was later expanded upon by Isabel Allende in her novel aptly called Zorro. While her novel was a nobel attempt to fill in the blanks of Don Diego's life, I think she missed the mark.