For a book that tried so hard to not be too girl boss-y, it was exceedlingly girl boss-y.

(Seven women will form a coven and somehow cure war and famine and everything bad with the world? Doesn't matter how LGBTQ+ friendly you are, there's something fundamentally flawed in this idea that this is what is (and is the only thing that is) going to lead to change. And okay, the epilogue tones it down a little bit, but inherently the way the stakes in VenCo are framed don't really convey the message that I think the author wanted to send.)