This play has the feel of Eugene O'Neill or Edward Albee, only more compact. It unfolds over a single act in the living room as two couples address the fact that one of their son's hit the others' son in the fact with a stick, breaking his two front teeth. It starts out with relatively civilized mutual understanding and apologies but slowly and inevitably degenerates into immature multidimensional fighting, pitting not just the couples against each other but also the husbands against the wives. In the course, it provides a psychologically astute portrait of the couples and their struggles with each other and themselves.