connorjdaley's reviews
1100 reviews

Wanted to like this as it seems like a new take on urban fantasy and vampires/creatures, but 20% in there’s nothing but talking/rambling and no work done whatsoever to make me like the characters enough to listen. 

Thanks to Saga Press for the physical ARC. This book has a great design and I’m happy to own one. 

This book was a bit of a gamble for me. I was really interested in the blurb, had seen some early reviews that were great including other FanFiFam, but I had read one full length from the author and I hadn’t really gotten along with it. After finishing this and loving it, now I’m wondering if it was simply because I read the other when I was newer to horror. So perhaps a reread of The Only Good Indians is imminent now. 

This has to be one of the most unique takes on the Slasher genre. It brings to mind another recent read for me, which was Brian McAuley’s debut, Curse of the Reaper. Where that novel blends Slasher tropes with psychological horror, Jones went completely off the rails and made a slasher memoir. And not just any memoir, but one that takes place within a world where slashers do exist. There’s definitely no wondering here why zombie stories take place in worlds where no one knows what a zombie is, Jones has offered up his teenage slasher all the reference material he needs. 

In a kind of self referential nod that felt like Jamie Kennedy’s Randy from Scream/Scream 2, our main character’s best friend Amber is the launch board for all of Tolly Driver’s necessary slasher info. Her brother, a slasher fanatic, has the goods on what’s going to happen, when, how, and maybe even where, not that she’s necessarily going to share all of it. And on the inverse of maybe the ‘why’ zombie worlds don’t know of zombies, this created this really interesting tension where Tolly spends a huge portion of the book not believing what happened to him simply because his real life couldn’t become like the movies. These things existed in his world, but as fiction, they couldn’t possibly become him, right?

The detachment of Tolly from his Slasher self is another really unique dynamic to this novel. The Driver (pun intended), taking over has this supernatural angle to it that starts all the way at the beginning with the blood from the Joss kid. And just like any slasher, revenge is the driving force, right? And while the reader does live through the near death experience with Tolly, it did kind of feel like a somewhat weak reason to go around killing people. However, slashers aren’t usually known for being reasonable, rational, believable even. And it’s within that, that this story lies. There are things that seem extreme, things you’d never believe or assume, but neither did Tolly. 

Multilayered and compelling, Tolly Driver is anything but a mindless killer. With notes of coming of age, of finding oneself, with angles of grief and strength, this bleeds through as a love letter to Lamesa and Texas as a whole. And I absolutely loved Tolly’s internal commentary and struggles from the passenger seat. Jones has this way about his writing, this meandering, sometimes longwinded, sometimes unconventional sentence structuring, that just lends itself so well to someone telling their own story. And, I think, especially someone trying to remember it as well. It had this really nice stark contract to another read of mine at the time, Deep Freeze by Michael C. Grumley, which had such short chapters to enhance its pace that there were over 100. Jones instead, uses long winding pieces of each day to show just how much Tolly was really going through, both trying to stop it, and failing miserably. 

Poetic and heart breaking, the final 15 pages of this may break you. 

I went with the audio for this one too. It had a multi-narrator cast again, mostly tackling the different POVs, and they did a good job. 

This is 10 more short stories from the master of middle grade horror. As always, I’m not really sure on the legality of these things, but I’m eternally wondering why all of his stories aren’t under the umbrella of Goosebumps. It’s his signature style anyway, and they all bring to mind GB stories anyway. 

These 10 are spooky too, some of which were actually quite a bit scarier than the second book. Particularly the idea of trading bodies with a dead person, where in the story, this zombie kindly asks for 30 minutes inside a living body. You’d still be alive, but you’d shortly live inside their deteriorated zombie-esque body. To me, the ending, and what was left as the consequence, could have been even scarier than the story itself. I’d really have liked to see that become a full novel from Stine, with notes of Attack of the Graveyard Ghouls and (a really) Freaky Friday. 

This one unfortunately did not continue on with Stine introducing the shorts. It was a bit jarring to hear someone random do it, and definitely felt like a downgrade. But I’m sure a middle grade reader probably would not notice something like that. Maybe he was too busy?

Spooky, eerie, silly, multiversal, and body changing, these stories from Stine continue to offer interesting and enjoyable places to go for a short while. While I feel like some of these hold back a bit more than Goosebumps did, I’m glad generations to come are getting their intro to Stine. 

I went with the audio for this one. It had a multi-narrator cast, mostly based on the perspective of the story, and they were pretty much all solid. 

This is 10 new short stories from the master of middle grade horror. Again, I’m not really sure on the legality of these things, but I’m always left wondering why all of his stories aren’t under the umbrella of Goosebumps. It’s his signature style anyway. 

With that being said, these 10 are spooky, eerie, a little silly, and some even have a blend of scifi. Stine continues to prove that he has quite the imagination, and I loved that these featured an introduction for each story. The intros were even recorded by Stine too, and I love that their inspiration is mostly from his childhood experiences. I just can’t imagine writing that many stories, some of which feature similar ideas and plot lines. Like how do you keep track? 

While I wouldn’t necessarily put these on the level of Tales to Give You Goosebumps or the somewhat longer shorts in Goosebumps Triple Header 1, these are still enjoyable stories for a quick little read. I love their covers too. 

Went with the audio for this, and Scott Brick did a good job bringing the pace and action to life in this one. 

An attempted store robbery, a bus crash. A tragic death that was not only a drowning, but a complete freezing beneath the frozen lake. When John Reiff wakes up in a scientific lab, what should be an absolute miracle, he has no idea where he is, or who he can trust—nor does he know why he has this sneaking suspicion that things are not as they seem. As the events of the novel progress, the reader just might find out that everyone has secrets. 

I listened to this one while reading I Was a Teenage Slasher, and the thing that stuck out the most was the authors’ completely different decisions: this one features incredibly short chapters, over 100 total. And while that could easily turn your night of “just one more” into a never ending sequence of more, I did find the shorter bits to be hard to digest as there was a lot of science, as well as a lot of confusion. As a plot structure, it makes perfect sense, as we know and find things out as John Reiff begins to, it just didn’t fully grab me. Until one particular line at the end of chapter 44 completely hooked me. Like I actually said, “alright I’m all in.” And while I won’t spoil it, I’m excited for readers to get into it. 

With how technothriller the blurb sounds, I was surprised with how dystopian this was. The world outside of the lab is shambles of what once was. War, famine, inflation, the use of AI—has turned the world into a husk. People died, starved to death, while the richer got richer still. So of course John Reiff has been roped into something completely corrupted! A guinea pig to a bigger scheme. 

I really enjoyed the mystery of this one, as well as the fact that almost everyone was hiding something different. The commentary of where it seems we are headed was nice as well, although a bit jarring as this is rather near, near-future. While the end did go a bit action thriller on us, it was entertaining throughout and I enjoyed the ending a lot. I’m glad to see there’s a planned sequel. 

Thanks to NetGalley and Flatiron Books/Macmillan Audio for this one. I received the audio, of which there were multiple narrators, each doing a different POV that kind of felt like Scooby Doo to me (for adults, and in a good way). This is a first for me from the author. 

This is a novella that features a ragtag group of late night smokers that meet every night in the local cemetery. At the beginning of the story, which atmospherically takes place in October, they stumble upon a hole in the ground that was definitely not there before! They think that this digger may be linked to other strangenesses around town. 

Unfortunately for me, while I did enjoy each of the characters and their differences, the paraphrase of the blurb above is just about as deep and descriptive as the novella as a whole. While I’m still kind of in the middle on this one, as there were several things I did enjoy, this just read like an introduction, not a story. There’s more development of the characters as they are introduced in the switching POV than there is in the development of the story itself. 

They chase a suspect of the digging, which you’d think would be this giant reveal, but it just kind of happened before petering out. Then they were onto the next thing. Which is what left me hanging, because the atmosphere is palpable during the scene. And the scene that involves a certain rat was a highlight for me, creepy, dark, eerily toothy, but even though it does tie into the overall arc, it just needed more for me to sink my teeth into. 

I really like the cover, and as both rats and fungus are kind of topical for the FanFiAddict crew, I wanted to feel like this was a hit. I don’t want to bring in any spoilers here, but the ending felt rushed, underdeveloped in the sense that it’s just handed to you and it’s over. 

I went with audio for this, and I’ll tell you, Sena Bryer knocked it out of the park for me. Some really good and completely different voices in here. 

This is an interesting concept. Earth was lost, and those on Gaea are raised to train with only one thing in mind, revenge. It’s an endless war. But when the main character, Kyr finds out that her brother has gone “rogue” and that she has been sentenced to work in the nursery, a near death sentence regardless of her being a top solider, things start to become a little clearer. 

This is almost like an Inception-y, Time Travel creating changes like in Loki, multiversal kind of mixture that had a great pace to it. Can the past change the future if it’s the one that already exists? The twists are present, and they’re interesting, I just kind of felt like maybe the execution was a tad off. I found things that I thought were cool or interesting, but felt like they didn’t exactly pan out, and I wasn’t as engaged as I should have been. 

The idea of the nursery as a whole, a set of selected women that were chosen for life to birth the next generation of humans, could have been set up to make a hell of a statement…but it kind of just is what it is—lacking commentary? Even in the future, during an all-out war for survival, even while being the top marks solider out of all the women, you can still be seen as just a womb. And while that is kind of what it’s saying it also felt kind of flat, like they didn’t try to really get the point across. It also kind of felt off putting to me that Kyr’s brother, the large and muscly super solider was weird and different, and the way that it was played off was that he was different simply because he was gay? At least that’s how it feels. It needed to be deeper, or to not be there at all for me. 

The other main issue I had, was that many, if not most, of the characters are just genuinely unlikable. It’s hard to be truly surprised, heartened, or heart broken with the twists when you don’t feel enough for those it’s happening too. So while there were things that kept me going, kept me listening on to the end, I just feel kind of somewhere in the middle on this one.

As always a huge thanks to Shortwave Media for this one. This is Killer VHS # 4, and as always the cover and design continues to be flawless. 

Cicada is the creature feature that I never knew I wanted or needed. While not horrifically graphic, the idea alone of a giant cicada is disgusting enough! 

The story is self referential and self indulgent in all the best ways. It perfectly encapsulates the cult classic horror vibe with its town full of merch and fandom coming together (for once off their message boards where they build and manipulate their own head-canon). And in those references and commentary it really reminded me of Scream 2. 

While I really appreciate the cicada-wing speed of the action once it gets off the ground, I do think the story could have benefited by either a shorter opening—because as it stands it’s about 50% set up, 50% nightmare—or it could have been longer in general which would have made the opening seem shorter. Ash spends so long fighting with her boyfriend and wondering why things are weird that it became a bit noticeable for me. 

The descriptions of the cicada, with its hairy legs and body, its eerily humanoid-esque head, as well as its machete length proboscis, were enough to raise the hairs on my arms. Bugs are absolutely disgusting, and especially with all the husks cicadas leave around, it was a brilliant choice to horror-fy. Can you imagine the sound a large one would be capable of? And the way the bug just kind of…drank people into their own kind of husks? Chilling. 

If you’ve been a fan of the others, in this series people keep calling modern day Goosebumps for adults, then you better buckle up, because this one sits right up there with the others. Like mixing The Blair Witch Project with 1994’s Mosquito. 

This is a short story that features cover art done by the author, which is such a cool piece of art that I had to grab it. I’ve been reading shorter pieces during dead time at work, so this fit perfectly. 

The short is a kind of alt historical fantasy that features centaurs as mercenaries. And I think it’s really unique in that it actually focuses on the women, the centaurines, as the fighting force of the main character’s group. Taller, faster, stronger than humans, they are employed as the fighting forces, and I found the references to historical places to be really cool. 

The main focus of the story is not war though. Our lead’s colt has died, and in the postpartum grief that follows, she’s now also battling with the loss. Lost and on uneven ground, she doesn’t quite know how to handle her situation, how to get back to her warrior spirit. So when she runs into a human orphan, one that has been sent to her tribe to work for them, she battles with every possible feeling, interior and exterior, as she tries to keep herself from latching to the boy in her grief. 

An interesting tale of motherhood, loss, and grief. And while I found this quite enjoyable, I do wish there was more clarity on the relationship between humans and centaurs, especially as they seem to think lowly of humans, but also rely entirely upon them. 

Grabbed up a whole bunch of these on a wild audible sale, and I’m finally getting back to it. R.C. Bray does yet another fantastic narration for the series. 

I’ve said it before, and I’m sure I’ll say it again, but these have such a breakneck pace with so much action that they’re just so fun. I also realized during this one that I listen to my audiobooks fast, which means there’s hardly a breath between action beats. 

Xavier takes to the sea, finally in sight of the paradise they so desperately seek. But sea monsters, radiation, and crazy storms aren’t the only thing that he’ll have to overcome. Tin, and the new captain will take on a different mission, this time in Cuba. The stakes are higher than ever, but the payoff is information for the reader! 

Is finally finding a home in the sun worth entering an all-out war? Not to mention a war that they’re not even sure they can win…

And folks, we’ve finally got it! The full explanation as to why the world is the way it is! Remember this is an alt history scifi, where radiation is so high that the remnants of humanity have been forced to live in airships above the crazy weather patterns to survive. The need for repairs, supplies and answers, drives those willing to dive down to the surface for the sake of everyone else…the hell divers. For spoilers-sake, I won’t discuss the reason the world fell apart, but it brought to mind notes Horizon Zero Dawn and Terminator. 

With new enemies and horrors, the suspense was at an all-time high, and I was just surprised to not have another run in with the sirens (at least for me, a favorite enemy). This one did feel kind of like the cliffhanger came out of nowhere I will say, kind of like we got half a climax, but I’m certainly on the edge of my seat for more. And finally we got the sea…and with it, SHARKS.