connorjdaley's reviews
1100 reviews

I was a huge fan of Candy Cain Kills, so when I saw this one in an audible sale, I grabbed it immediately. 

As a debut, I found this to be an incredibly cohesive and well done story. Howard is getting on in years, and although he’s grown tired of signing photos for (less and less) fans, he still feels a sense of pride in being the horror star in the Night of the Reaper franchise. But when he finds out that they plan on rebooting the series, and sowing their fields with some much younger seeds, deep-seated rage grabs hold. Trevor Mane, a recovering addict that’s aspiring to retake his career, is all-too eager to snatch up the role of the Reaper from underneath him. 

I enjoyed the juxtaposition of the two actors, both displaying their own end of the spectrum in Hollywood horrors. Howard, once a slasher staple, has been cast aside—the slowing stream of revenue and fans leaving him unwanted. Meanwhile Trevor, struggling with the heavy expectations of childhood acting, has fallen to drugs and alcohol to carry the heavy weight of disappointment. Neither receive the help and care from the industry they deserve, and the recasting of the Reaper has set them both on paths of destruction. Both personal and exterior, no one is coming out unscathed. 

As someone relatively new to horror (couple of years now…) the Night of the Reaper parts still brought to mind the slashers of old, like Friday the 13th, Halloween, and the blurb mentioned Scream. But it also reminded me of some newer ones like Fear Street: Part Two and even last year’s Thanksgiving with its witty, borderline cringey one liners and wacky kills. The blurb linking it to The Shining is of course a great mention, as that kind of creeping psychological thriller is absolutely present with Howard. It also has that kind of The Evil Dead ‘is this really happening supernatural feel’ as well as the typical vibes you get with Cabin Fever. 

What the author delivers is this unique blend of horror. Each part features a reading from one of the Reaper series entries, as well as the climax itself giving way to full blown slasher. Then that psychological aspect meshing in to make you question everything.  It’s very well done. I so curious what a sequel would be like… 

This was included on audible, so I have it a go. If you can’t tell in recent years, I’m definitely on an ocean/shark journey (Jaws, all of the Meg series, Megalodon: Bloodbath). 

This was a bit confusing honestly. Where almost all of those I named above feature something other than just sharks, be it the mafia, rich overlords, drug cartels, competitor countries, and more, this novel felt almost entirely about something else. It begins with a focus on Somali pirates, where someone is hired to create a group of people that can rescue hostages. While the first mysterious siting of the beast happens here, it is then gone for such a huge portion of the story as to be forgotten. 

The shark, the meg, is a clone, as of course the original species is long extinct, and while each of these books tend to search for a reason why there’s a killer beast on the loose (especially the extinct prehistoric kind) this one spent so long in getting to the point that it kind of erases the threat. 

The end itself does have some of the desired killer shark energy I was so invested for, so at least I got that. It is however, kind of outlandish (even for a megalodon) in a kind of almost ‘original idea for Jurassic Park 4 plot’ way—think militarized dinosaurs… 

Although it mostly lacked what I was looking for, it does have some strong characters, as well as character development, within the crew of navy seals, and it was fast paced enough to enjoy. 

300 Years Before A Game of Thrones, this tells the Targaryen history from Aegon the Conquerer to Aegon III. It is both the rise of the dragons in Westeros, as well as the beginning of decline. 

Honestly I picked this up simply to stop having stuff spoiled for me online after each episode of season two of House of the Dragon. If I can see it online, or google the answer myself, I might as well just read the story. 

The writing in this is just simply so superb that it blows my mind. It is so well done, so meticulous, so real. Each page is like a section of a textbook, each sentence like a piece of history. And with that, it has its climactic moments, as well as its tiring ones. The conquering of Westeros, while interesting, was one of the drier parts. I’m not sure if he was just getting started, or if that just wasn’t his focus. I’m not sure how that’ll become its own show, as the burning of Harrenhal, a part that seems so extreme, actually happened in a single night. I did like that he addressed the clash of religion with the Targaryen’s incestuous nature though. 

At about 50% into the story, you finally get to the crowning of Viserys and to his children. Aka the start of HotD. At about 25%+ of the book itself, this is the largest story it has to offer. The dance of dragons is long, bloody, and absolutely spilling with betrayal. Truly the amount of times Rhaenyra gets betrayed is mind blowing. And while the show seems to want to drag out every single line of dialogue possible, the book has an awful lot of dragons flying into action and fighting. I won’t say more for spoilers-sake but the fact that the show writers keep changing things for no reason doesn’t make any sense to me. Same with their desire to connect so heavily into GoT itself. The two are not really related whatsoever. 

While I really enjoyed this, and I get that he’s going for a ‘time-period based’ fantasy, I just wish he spent more time on the story than on caring so much about girls’ virginities. 

I read this to rate for the Indie Ink Awards and I’m glad I was able to reserve it. For some reason it took me over a month to cut through, no idea why, but I’m glad to have read it. 

This is a fantasy novel that takes place on a planet that has two separate species of humans on it. One lives close to the earth, hunting and surviving off the land. The other is more technologically advanced, living in a society further along than ours. Balika, an outsider, is thrust out of the only comfort she’s ever known. Sammah, also an outsider, is thrust out of his comfort zone when a friend starts getting close to him. 

I loved that the two main characters mirror each other throughout the entirety of the novel. Their journeys may not be identical, but their struggles, their internal turmoil, as well as their outcomes, mirror, intermix, and come together in a really special way. And I especially appreciated the author’s ability to write the character of Balika as different while not making her seem inferior. While her people might have thought the construction machines were giant beasts, not understanding technology, there is nuance and intellect described throughout that highlights very well as just different, not dumb. 

In a sense, I will say that the two storylines did not mesh all that well for me. As in, they just didn’t gell for me, and for most of the novel, I wasn’t sure where the build up would take me. It certainly pays off in a big way, it just took a while for me to catch up. 

As much as this is a scifi fantasy, it also has notes of eco-horror too. Protecting the world from destruction, as well as repairing what’s been done. There’s also all the necessary dystopian scifi notes of a world that’s too attached to the simplicities that technology bring. All in all a solid mixture. 

Thanks to NetGalley and Tor Nightfire for this one. The audio by Imani Jade Powers was well done and a part I definitely enjoyed. 

This was a unique story and take on the vampire. Not your conventional vamps, I really liked that the author mixed historical lore on vampires, demons, devils, and also just made up some of his own stuff. Overall they were the driving force that kept my enjoyment. They are brutal, commanding, savage even. And described in a way I’ve never experienced. 

The novel itself though, features Sarita as the main character—oh and her hulking protector, called Angelo. He has saved her from drowning, from party kids getting a little too drunk, from going to the wrong places at the wrong times, and of course from someone she loved very much? Although later there is a reason given for why this happened, it just felt too random/weird too fast, and the description of why just never really caught up for me. 

This was a little too all over the place. The pacing of which, with its horrendously repetitive pondering of why this was happening to Sarita, was far too slow, and then the sprinkling in of hyper-violence, just didn’t make sense for me. I was bored, then really engaged, and then it’d dissipate again. The big bad was described as this all powerful being, just to really not be all that climactic. It just had some unfortunate shortcomings. 

With such a cool cover, I really wanted to love this one, and while I was kept on the line with the vampire stuff, the story was a bit of a loss for me. 

Another one that I read for book club that I would not have necessarily picked up otherwise. Honestly, I’m a bit conflicted with it. 

The novel is about two agents on opposite sides of the war. What may have started as an attempt to turn each other, eventually leads to a budding romance of a sort. Through their correspondences, they are truly free, truly themselves, and therefore it’s all the more alluring. Not only must they hide the letters to each other throughout time and space, they must also shield their minds from the leaders that would surely turn them in. 

The correspondences, as well as why they are feeling the way they are, are quite beautiful. The nature of needing more and finding it in the strangest place is perhaps a cliche, however it’s completely modified by them being fully crafted, time traveling soldiers. They visit strands of time (the description of which brought to mind the Marvel show Loki for me) stealing, kidnapping, killing, and pretty much whatever else is required of them. So them finding each other, and sharing these desires, is practically impossible. Yet it happened all the same. That’s what I really liked. 

What I struggled with, was the lack of everything else. While it wasn’t necessarily the fact that it was missing, it could be awfully confusing when little snippets were dropped. I wanted more. More description, more explanation, more scifi craziness. Without it, and it being so short, I found it to be kind of lacking. It just needed a bit more to glue it all together for me. 

Went with the audio by Connor Brannigan and its very well done. 

This is a very bizarre story. Franklin received a set of random texts from a neighbor he doesn’t know. He’s lonely, so he accepts her offer to come over and hang out. Regardless of the red flags, in which there are numerous, he finds himself staying. She contradicts herself, claiming he’s wrong even when it was a comment she made only moments before—clearly gaslighting him. She seems to mistake him for someone else, and over time it only gets worse. After ignoring a text to take her medicine, Franklin invites Lynda over in hopes of shaking her out of it in a new setting. 

Unfortunately, things only get worse. The night is fueled by arguments, misunderstands, the need for reassurance, sexual endeavors, and even self harm. I do feel like bits of his loneliness and his ability to brush things off resonated with me as at least ‘possible,’ even though I would have gotten the hell out of there wayyyy earlier. I do feel like Lynda’s assaults were not that deftly handled though, as some of her triggers seemed to be the opposite of expectations. 

Regardless, the ending is even more out of  left field than the entire story, and the insanity is catching. 

I received this to judge for the Indie Ink Awards for two different kinds of rep, disability and Latinx. I already owned the kindle version. 

This has one hell of an opening. Jamarnid was sleeping with a harlequin. Well, he thought she was human, which was still a crime, but this one’s even worse. She became pregnant, which is treason, and he was sentenced to death. The entire opening is a whirlwind of lore, action, and torture. He is willing to die for his crimes, but not everyone may agree. It’s fast and strong and you feel it even though you’re still learning characters. 

Otherwise though, I do wish that it was labeled as the prologue, rather than chapter one, as it’s really the only chapter that truly takes place in the past. It kind of made the rest of it harder to follow, as the pace never quite speeds up that much again. 

This is a multiple POV fantasy that features different races and ages. Full blood elves, harlequins, half bloods, and humans (mostly just mentioned). After the opening, the exiled members have fallen victim to two different purges from the full blood elves. Those that survived made their own city, Almjarhad, where all they want is to live self sufficiently. The POVs, as the blurb states, showcase the hero, the seer, the child, and the condemned, and with that of course, peace is never that simple. I really enjoyed each character and how the author had them operate with each other, especially when they appeared in each others chapters. 

There is a very cool and well written sword fight in this, but other than that, this did want for action in my opinion. With the large and intense opening, I guess I expected something to come and outdo that, and there isn’t anything. Although, I will say that this is only book one and it does end with practically everything in a cliffhanger. So I assume the build to action is what follows. 

The narration by Connor Brannigan is good and has a tone that works well for the subject matter. 

I’m not really too sure how to describe this, but ‘weird fantasy’ is what came to mind throughout listening. I think that’s kind of fitting honestly. It’s dark in nature, but it’s also missing common fantasy and horror notes. This is something different. 

The penumbra men are seeking answers. Answers that were lost to them, as well as their faith. Vvlna, was the name of their sun, but they’ve lost a use for it in this new world. And as the blurb states, they will find those answers in the house of wolves, but not all of them will make it there. 

To me this read like a short section of a history textbook. It’s not exactly any kind of linear tale, but the tone of it speaks to mythology or lore. This is a chronicle of the penumbra men. I felt it was well written and I really enjoyed the voice, but it’s not really long enough to open up into anything, but maybe that’s actually the point. 

A first for me from both authors, but it’s a quick, unique read that I’d recommend. 

The audio done by Dan Lawson was fantastic. Quick, clean audio, and good distinction for each character. 

The novel begins with the narrator, Mark Prewitt, telling the reader that there is a house with a ghost, and that he fell in love with a witch. It worked perfectly as set up for me, as for the remainder of the book, it was like looking over my shoulder waiting for the exact moment those reveals would have an effect. 

Mark just wants to make enough money this summer to get his car running. That, and to have as much fun with his friends as possible. But when a prank goes too far, Mark is forced to cross paths with the Farrow sisters in the hopes of making amends, but there’s also a dirty secret that may create a problem of its own. 

The Farrow sisters are the town pariahs. Their parents pulled them from school after the death of their eldest sister, and now they’re seldom seen, and wholeheartedly hated. But as Mark meets George (short for Georgia) he realizes that while the family is strange, they’re mostly misunderstood. A friendship, and possibly more, blossoms. 

Part of why I loved the opening is because the novel doesn’t really have much in the way of action. Mark goes to work, and he has two jobs. Otherwise he rides his bike to his friends or to see George. That knowledge that something’s coming stays right in the back of your head the whole time. 

It’s also a great coming of age story, with super strong dialogue. Although I am born five years after the novel is set, I feel like the 90s were truly the last generation of kids to have that walk/bike everywhere feel. Especially the ‘go wherever you want as long as you’re not in your parents house’ attitude. So that felt nostalgic while reading. 

This might be a first of its kind for me, but this is like reading a horror/romance? The possible intrusion of the ghost, a seance gone bad, the witch antics, the almost Addams family plus abusive dysfunction of the Farrow family, all while George and Mark are growing closer, was a unique blend.

I particularly liked the dissection of high school classism, as Mark battles between his heart and his head. He wants to see more of George, desires to be with her, but what would that do to him if anyone found out? Could he afford to become a ghost as well? To become another town pariah? Sometimes, especially with the fickleness of kids, you don't get a choice. 

The ending does pick up, has stakes, and losses. And I really enjoyed the open ending. This was a great read and a first for me from the author.