a set of interconnected stories revolving around different characters as they live through the bloody gwangju student uprisings & subsequent massacres in 1980, and the aftermath of its grief and trauma throughtout the decades.
extremely visceral & raw, with a focus on bodies -- examining the marks of both physical and intangible violence left on the body, what we do with the bodies of the dead (washing & dressing, family burials, dumping in mass graves), and how we remember those bodies. there's a chapter told from the perspective of a corpse as the soul watches its own body being dumped into a mass grave and beginning to decompose
all about emotion, memory, grief and loss. the book really makes you feel the loss of these young protestors and the emptiness they leave behind in the lives of their loved ones and in the collective nation
“After you died I could not hold a funeral, And so my life became a funeral. Oh, return to me. Oh, return to me when I call your name. Do not delay any longer. Return to me now. After you died I couldn’t hold a funeral So these eyes that once beheld you became a shrine. These ears that once heard your voice became a shrine. These lungs that once inhaled your breath became a shrine.”
how does this start as a silly, comedic medieval fantasy slice of life about cooking and it progresses into fantasy horror & a deconstruction of the human psyche, the root of earthly desires, the meaning of consumption, etc
the act of consumption / cannibalization as both loving and transformative vs dominating and effacing
cooking and sharing meals together as a declaration of intimacy and connection
to be human is to desire and reach for things beyond us; at the root of human desire is a will to live
our place in the natural world and our role in a web of connections to all living beings: human, monster, animal, plant
incredible art as well; great and varied character design with tons of diversity and really thoughtful character design choices
An insane trip of a book. Starts out following the MC as a young girl with a troubled family life, who fantasizes about having magic powers as a means of escapism; devolves into gory self mutilating cannibalistic chaos in the last 30 pages
The prose is simple and matter of fact in a childlike manner while describing abject horrors — which makes it all the more unsettling to read
Chilling and heartbreaking to read about the intense violence and victimization the MC faces throughout her life as a child and as a woman, and her life long struggle to process her trauma and ensuing sense of alienation - not only from her family and from society, but from her own body and mind. She grapples with depersonalization & disassociation as her sense of autonomy and identity is under siege by outside forces — social mores, cultural expectations of conformity, patriarchal reproductive control, and coercive violence from her family
I think the book speaks to the messy, nasty and violent parts of victimhood & trauma… the feeling of what it means to be violated and colonized by the world in body and mind, and the desperation to reclaim any sense of self possession, even when it’s violent and taboo
A ton of symbolism about reproduction, rebirth and motherhood as the trio is reborn naked & pregnant in a new world of their own making
The protagonist’s mantra — “Survive, whatever it takes” — as it carried her through all she endures is one that’s going to stay with me
About social conformity and the inescapable pressure to participate in patriarchy and capitalism
With the convenience store as a microcosm of society, it delves into body politics & bio-power — “A convenience store is a forcibly normalized environment where foreign matter is immediately eliminated”
Also connects ableism to capitalism, e.g. the MC being coded very strongly as autistic, the expiry date for her body as a “useful tool” for work as she ages
Had a lot of interesting set up but the message felt surface level
This made me miss cheap & delicious Japanese 7-11 food so much
- collection of dark short stories reflecting on the violence & exploitation of patriarchy and capitalism - the strongest stories are in the first half of the book, especially ” the head” and “the embodiment,” feminist body horror tales where the female protagonists endure increasingly surreal horrors thru the erosion of their bodily autonomy and thru changes to their positions in their families & society as they age and experience motherhood - “cursed bunny,” the titular story, was a great intergenerational revenge story, with an old family yarn / folk tale feel - the weakest stories are in the latter half of the book as it experiments with sci-fi and fantasy, but ends up with predictable genre cliches, and lacks the coherent voice and direction that characterized the first half of the book
- Nasty, dark & disquieting collection of short stories; each one feels like a peek into someone's nightmare - Reflections on violence & the infliction of harm on ourselves and others - Poses questions on gendered & sexual violence and power dynamics but leaves it to you to find your own answers - Surrealist & absurd subject matter with a fast-paced, choppy and experimental writing style, but underpinned by its subject matter: tales of human ugliness that all feel terrifyingly plausible enough to be real