A collection of short stories set in Thailand written by a Thai American author.
Not a happy book but an interesting one that contemplates different themes and issues, such as the impact of tourism, racism, refugees and war, class privilege, political corruption, sexual violence, etc. The collection is strongly grounded in its setting - you can feel the author's affection and nostalgia for Thailand. It tells its stories with love and compassion for its flawed and human characters. A blessed exception to so much literature about Thailand available in English that is objectifying and exotifying. Every jab at the imports of Western imperialism and its heralds, the annoying tourists, was both gratifying and humorous.
The last story about cock (roosters, okay?) fighting and a generational revenge story was a longer one but definitely my favourite. Also loved the titular story, about a son taking his mother on a vacation to the southern Thai islands before her sight goes and before he has to leave her for college.
"You give them history, temples, pagodas, traditional dance, floating markets, seafood curry, tapioca desserts, silk-weaving cooperatives, but all they really want is to ride some hulking gray beast like a bunch of wildmen and to pant over girls and to lie there half-dead getting skin cancer on the beach during the time in between."
really interesting to read about the experiences of chinese miners & railroad workers who came to North America
themes of being the "perpetual foreigner," the threatening "yellow peril," of being written out of the history for so long despite the blood and sweat that went into building key early infrastructure for "western civilization" to "tame" the frontiers. black indigenous and chinese labourers in the mines and railroads were underpaid and exploited and multiple exclusionary legislation were passed
really liked how much the book talked about the natural world and how important it is to respect our connection to the lands we live on and how the land is a part of us too. how wrong it is that we exploit and extract all the resources until nothing is left. the emphasis on wildness & nature in this book is very special
interesting look at the connections & relationship btwn chinese migrant labourers & indigenous peoples of america; at times contentious, at times in proximity
Definitely a page-turner, I finished fast wanting to know what was coming next
An epic historical fiction & drama with some fantasy & spiritual elements. Set in ancient China during Mongol rule & budding Han Chinese resistance against foreign rule & occupation
All the deliciously dramatic elements of futile war, being haunted by ancestral ghosts, backstabbing your sworn brothers, corruption in Buddhism, and power struggles
Such interesting representation of gender, transness and sexuality in ancient times, with a language and understanding so different from our time. Absolute gender fuckery
in retrospect, uncanny clairvoyance to the COVID pandemic
a humorous, satirical and dark commentary on the machine of capitalism spinning its wheels endlessly and futilely even while a global pandemic sets the world on fire. the wheels on the bus go round and round while the bus drives off a bridge into a canyon
diaspora growing pains
the complicated memory of our parents & the weight of their sacrifice
every time she reminisced about her parents i felt my throat closing up and tears in my eyes
really interesting look into the lives of migrant worker women in china and the chinese factory labour & economic boom in the 90's and 2000's. incredible to hear about their experiences from the mouths of the girls themselves via interviews
note that here, "migrant worker" refers to chinese ppl moving from rural towns and villages to the city for work; actually this phenomenon is one of the largest noted human migrations in history
since it was published in 2008, it's already long out of date with today's china, where things change and march forward at light speed
sometimes the author's own political convictions were irritating LOL
Where is the magicaL realism??? The intrigue? Missed opportunities for freaky & horrifying eroticism. You will never hold a candle to “The Shape of Water”