Cute, recipes look great and not overly complex, and offer both an entirely from scratch option as well as store bought options (ie. making your own sourdough). The narrative of it being like a culinary travelogue was really cute and fun.
I'm not the biggest romance fan out there, but I really enjoyed this one with the slight litfic-ness to it with MC's introspection as she handles her challenges, while also bagging a hot guy (or two). Emotional but not too thirsty, this felt like a breath of fresh air to me and was super satisfying, even when the storyline hit all the romance tropes, including but not limited to the third act break-up scene.
The author's note at the back of the book is a great anthem for romance book lovers everywhere.
Jesus, I don't know where to begin. I feel lied to and cheated - whoever marketed this book was probably a court assassin in a past life or something, slipping poison into goblets at celebration feasts.
Anyway there are so many trope icks in this book for me. I feel like the author singled me out, asked everything I hate in a book and then made this book but added playing with period blood. Just to list some of them:
It was obvious from early on that Cressida wasn't dead because Alex didn't kill her. She was literally the only character ever posed to be even a POSSIBLE villain. Literally who else could it be? The only other witches in the whole fucking story are Rune, who we have the POV of, and Seraphine who's in fucking prison lol.
There was zero chance of Alex surviving this trope heavy book. Obviously he is an obstacle to the Rune/Gideon pairing and he needed to be gone! The second Rune accepted his proposal I knew he was dead. And I was right!! I'm a wizard!
Verity was so obviously Cressida the second Cressida's mark appeared at the dinner scene. The entire book the prose was "he is so tempting but he is my enemy! I must save witches to atone for my grandma! Verity's perfume is stronk af. Why is Gideon so hot and dark and spicy? Wowowow." Like the second something other than sexual frustration and the repetitive BS about Rune trying to get herself killed or whatever, the foreshadowing hints become like BEACONS. This was solidified the very second it was Verity's face in the criminal sketch, making the probability of her being the villain from like 80% to 100%. Ugh.
The ending was ok. . . it left a lot to be answered in book 2, but to be honest I'll probably just mine reviews and summaries for what happens next, if I even remember by the time it comes out. I am just not interested in carving out even another day of time for this series.
I am bereft. I was expecting a lot of western shoot-outs, bandido adventures and debauchery, and more magical elements, but instead was served some heart achingly tragic morality tale about the nature of humans and their ability to become something new, old, good, or evil. The magical realism is subtle in this, even though it seems to start out strong in the prologue, but it boils down to the physical embodiment of a generational curse and its dissolution.
Godspeed, Peter Ainsley. I wish we had known you longer.
A TW I think might be very important for some people: There is quite a bit of child death and the mourning over killed children in this one. It hits hard though and is treated like the deplorable act that it is.
Flaws of characters a main focus? It's complicated
4.0
This was a fun read with a nice little twist at the end that's not TOO out there (considering it has hyper intelligent animals who can type). Charlie is fun to follow as an MC and Morrison is the ultimate henchwoman. There were a few parts that felt overexplained, but it didn't really detract from the story.