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sproutedpages's reviews
90 reviews
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Pandemic/Epidemic
Moderate: Confinement, Death, Gun violence, Racism, Death of parent, and Pregnancy
Minor: Drug use, Sexual content, Alcohol, and Injury/Injury detail
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
The antagonist has potential, but ultimately feels more like a spectral presence than an actual threat until very near the end of the novel, and her motivations and objectives are not always abundantly clear. Similarly, the love interest is not introduced until about one third of the way through the novel, and behaves rather antagonistically for a length of time, so the full scope of the curse afflicting Marigold is not revealed until quite near the end of The Honey Witch.
The prose was not as flowery as might be expected from a novel about tending plants and caring for honeybees, but still manages to be atmospheric and lush. The land of Innisfree seems to be based on the poem ‘The Lake Isle of Innisfree’ by W.B. Yeats, and author Sidney J. Shields does convey a similar sense of peaceful solitude within her version.
The Honey Witch is likely to be best enjoyed by those seeking sapphic representation, who might also enjoy elements reminiscent of: Practical Magic, Halloweentown, and loose references to the regency era.
Thank you to NetGalley, Redhook Books, and author Sidney J. Shields for providing me with a digital copy of this novel to review. All opinions within this review are voluntarily given and entirely my own.
Graphic: Death
Moderate: Miscarriage, Grief, and Fire/Fire injury
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
Evocation has a backdrop of mysticism, and it is initially presented in a manner that makes the ritualistic environment all the more atmospheric. The juxtaposition between the ceremonial occultism practiced by Rhys and David, and the more familial (and familiar, to me) magic practiced by Moira, is well written and interesting. As Evocation progresses, however, the detailed focus on mysticism begins to fade into the periphery more and more. Beyond initial exposition, relatively little detail is given to ceremonial and ritual spaces and processes, even as new systems of practice are introduced (e.g. Chaos Magic). This extends into the central conflict driving the plot– the Aristarkhov deal– which is given unclear terms and treated with little urgency until very near the end.
Evocation is heavily character-focused, and the relationships cultivated by David, Rhys, and Moira are very clearly the intended focal point of the novel. The ‘Polyamorous V’ centers on Rhys, which unfortunately feels especially undeserved by the end of the novel— though David and Moira do have incredible chemistry, albeit non-romantic. Moira is underutilized as a character, ultimately feeling as though her purpose is to accept the inevitability of, and to help facilitate, the romantic reunion of Rhys and David (after infidelity has already occurred).
Evocation is the first book in The Summoner's Circle series, so there is tremendous space for character growth and plot development in the subsequent novels, but Evocation does suffer from lacking this depth as the introductory novel.
Thank you to NetGalley and Angry Robot Books for providing me with an advanced digital copy of this novel to review. All opinions within this review are voluntarily given and entirely my own.
Graphic: Alcoholism, Child abuse, and Infidelity
Moderate: Misogyny and Toxic friendship
Minor: Transphobia
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Sutherland’s writing in A Sweet Sting of Salt is atmospheric and evocative, with a thematic emphasis on longing (from the topics for discussion at the end: longing for the sea, longing for home, longing for family, longing for a place to belong). Though initially slow in pace, there is a foreboding undercurrent to the narrative that helps to keep the novel engaging.
Jean and Muirín are both characterized quite well (as are the secondary and tertiary characters), which makes it easy to empathize with their individual choices, and to yearn for their pairing alongside them. However, Jean’s reaction to the moment of reveal did feel somewhat out-of-character, and at odds with what would be expected for a member of a seemingly superstitious fishing village (particularly given that Jean mentions knowledge of Selkie folklore). Even so, A Sweet Sting of Salt has a cathartic resolution (especially for Muirín) and a very sweet epilogue.
Thank you to NetGalley, Penguin Random House/Dell, and author Rose Sutherland for providing me with an advanced digital copy of A Sweet Sing of Salt to review. All opinions within this review are voluntarily given and entirely my own.
Graphic: Animal death, Confinement, Homophobia, and Kidnapping
Moderate: Domestic abuse, Pregnancy, and Gaslighting
Minor: Sexual assault, Suicide, and Death of parent
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Slavery, Violence, and Grief
Moderate: Pregnancy
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Racism, Slavery, and Violence
Moderate: Sexual assault and Sexual violence
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Death, Misogyny, Grief, and Injury/Injury detail
Moderate: Suicide
Minor: Animal death and Sexual assault